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Pressematerial

Cirque du Soleil stellt Pressemappen mit Informationen zu den verschiedenen Shows und über das Unternehmen zur Verfügung.

Cirque du Soleil

Alles begann in Kanada, genauer gesagt in Baie-Saint-Paul, einer Kleinstadt in der Nähe von Quebec. Anfang der Achtziger begann dort eine bunte Truppe von Stelzenläufern, Jongleuren, Tänzern, Feuerschluckern und Musikern, die Straßen unsicher zu machen. Die Kleinkunstgruppe um Gilles Ste-Croix nannte sich „Les Échassiers de Baie-Saint-Paul“ (Die Stelzenläufer von Baie-Saint-Paul). Schon damals waren die Einwohner beeindruckt und begeistert von den jungen Künstlern, darunter Guy Laliberté, der spätere Gründer und Leiter des Cirque du Soleil.

 
 
 

Biografie

Eric Champoux

Lighting Designer

A painter since the age of 16, Éric Champoux has always taken a keen interest in light.

Since graduating from the National Theatre School of Canada in 1997, Éric has designed the lighting for more than 60 theatre productions in Quebec and Europe. He has worked with such Quebec directors as André Brassard, Gilles Champagne, Alice Ronfard, René Richard Cyr, Claude Poissant and Yves Desgagnés.

For the last dozen or so years, Éric has worked particularly closely with Wajdi Mouawad, lighting his productions of Rêves, Les Troyens, Le Mouton et la Baleine, The Three Sisters, Incendies, Fôrets, and, most recently, Seuls.

Éric designed the lighting for Alice Ronfard’s 2006 production Désordre Public at Théâtre Espace Go, where he also lit La Promesse de l'aube and Les hommes aiment-ils le sexe, vraiment, autant qu'ils le disent? created by a collective of writers and directors.

In his mission to bring the art of the real – and the unreal – to the audience, Éric is constantly seeking to improve his mastery of painting with the medium of light.

"I paint light onto bodies and objects,” he says. “I create a luminous image on stage exactly the same way I paint, layer by layer, revealing the characters on a canvas of colour. Both results are based on the same approach."