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DREAM WEAVERS - COSTUMES BY CIRQUE DU SOLEIL

  • DREAM WEAVERS

  • CRAFSTMANSHIP

  • ARTISANS

  • CHARACTERS

COSTUMES BY CIRQUE DU SOLEIL

Costumes

The Dream Weavers - Costumes by Cirque du Soleil exhibition looks at how characters are created through costume. Visitors are invited to explore the arts of millinery, dyeing, costume-making, lace-making and shoe-making and learn about the roles and experiences of Cirque's craftspeople through words and images.

This story of costumes is a journey revolving around three major themes-passion, complicity and excellence-exploring the emotions underlying the essence of the artistic quest as well as the expertise behind the finished costume.

Costume items, photographs and audio-visual documents add to the intimacy of the experience and invite visitors to step into the artisans' creative space. For a brief moment, mannequins become acrobats, stilt-walkers, dancers and performers, slipping into the role of one of 25 characters chosen to represent each of the 25 Cirque du Soleil shows-and to salute 25 years of a love for materials, shapes and colours that has coaxed so many creatures out of dreams and into life.

This exhibition is above all a tribute to the men and women who have fed the creative flame with their inventiveness, their expertise and their passion for the art of costume-making since the very beginning of Cirque du Soleil.

CRAFSTMANSHIP - PASSION, COMPLICITY AND EXCELLENCE

The designer, the artisan and the artist all share a common dream: the show. As they work together, pooling their talents and expertise, the costume takes shape and the character emerges. Three key elements central to this process - passion, complicity and excellence - combine to make magic. Here the artisans share some of their experiences, their enthusiasm and their secrets, offering visitors confidences, anecdotes and memories, and guiding them as they explore how these "second skins" are fashioned to create a Cirque character.

These Dream Weavers have been at the heart of the Cirque du Soleil story right from the very beginning. Now you are invited to fashion your own stories as you admire the different costumes. Follow your instincts, your curiosity and your heart, as you listen to the tales these costumes have to tell and share in the memories of those who created and produced them.

Poster 01

Poster 02

DREAM WEAVERS SINCE THE VERY BEGINNING

Step into the artisans' creative space with audio-visual documents that are presented in the exhibition.

Here a glimpe:

CHARACTERS OF CIRQUE DU SOLEIL

The work of Cirque du Soleil artisans ranges from one extreme to another, as they play with the staggeringly large and the incredibly small. It is both a physical and a mental challenge, similar in a way to the performances of the artists who risk their lives and bare their souls on stage, show after show.

Unlike the costumes worn in the theatre or opera, Cirque du Soleil costumes are about much more than looks. They have to meet strict technical requirements, for the artists' acrobatic numbers are extremely demanding. It is this desire to constantly push the boundaries that allows these artisans to continue innovating and exploring new artistic and technical horizons.

Here a glimpe at some of the costumes presented in the exhibition:

  • The Baron

    Saltimbanco

    The Baron

    "Stripes on a costume always look easy, but every time it's a real puzzle. To make sure the lines fall properly, you have to trace them directly onto the pattern. You also have to keep an eye out for any mismatched lines that might meet at the groin." Hélène Allard - Textile Designer

    Costume designer: Dominique Lemieux
    Makeup designers: Jean Bégin and Nathalie Gagné
    Year: 1992

  • Firebird

    Mystère

    Firebird

    "With the birds in Mystère, we started to show some skin. It was a much more exposed show than Nouvelle Expérience or Cirque Réinventé. The dancers were sexier. It was something new. Even during the fittings, the artists were uncomfortable." Francine Desrosiers - Costume-Making Specialist

    Costume designer: Dominique Lemieux
    Makeup designers: Angelo Barsetti, Nathalie Gagné and Richard Morin
    Year: 1993

  • Old Birds

    Alegría

    Old Birds

    "Franco Dragone and I were thinking about the seven capital sins when we worked on the Old Birds. These characters all have great faults: they're fat and ugly and stuck up with what they've got and what they know, they're conceited and they show it." Dominique Lemieux - Designer

    Costume designer: Dominique Lemieux
    Makeup designer: Nathalie Gagné
    Year: 1994

  • The Aviator

    Quidam

    The Aviator

    "When we were doing research for the Banquines and Égarés for Quidam, we went looking for all kinds of garments and props. And then we tried them out with the cutters and different departments. We dressed up for almost two or three days. Dominique Lemieux was part of this exercise to create the Banquines and then the Égarés. That was my first week with Cirque." Guy Brassard - Assistant to the Costume Designer

    Costume designer: Dominique Lemieux
    Makeup designer: Nathalie Gagné
    Year: 1996

  • Synchronized swimming

    "O"

    Synchronized swimming

    "Originally the Nage bleue costumes were really beautiful, but after two weeks they were completely destroyed, that 's 16 girls having two costumes, one for first show, one for second, so 32 costumes after two weeks were dead. The colour had bleached out, the fabric basically had perished. " Julie Roddham - Head of Wardrobe O

    Costume designer: Dominique Lemieux
    Makeup designer: Nathalie Gagné
    Year: 1998

  • Ermite & Water meteor

    Varekai

    Ermite & Water meteor

    "You have to check with the physiotherapists and find out just how much weight you can add without interfering with an artist's performance, and make sure he doesn't end up with ergonomic problems." Peter McNaughton - Senior Cutter

    Costume designer: Eiko Ishioka
    Makeup designer: Nathalie Gagné
    Year: 2002

  • Optical salsa

    Zumanity

    Optical salsa

    "For Zumanity, it was haute couture except that it was also an erotic show. We had to work with bras, or someone who was performing in just a g-string. We worked with all sorts of new materials: latex, vinyl, we patinated vinyl." Guy Brassard - Assistant to the Costume Designer

    Costume designer: Thierry Mugler
    Makeup designer: Nathalie Gagné
    Year: 2003

  • White Clown

    Corteo

    White Clown

    "There was all kinds of work with pleats, what they call smocking, on our pierrots - we used that a lot for the costumes in Corteo." Dominique Lemieux - Designer

    Costume designer: Dominique Lemieux
    Makeup designer: Nathalie Gagné
    Year: 2005

  • Singer

    DELIRIUM

    Singer

    "It was made out of organza, and all the little twinkling lights were fibre optics interlaced into the dress. When she moved, it created this liquid, aerial effect." Michel Robidas - Designer

    Costume designer: Michel Robidas
    Makeup designer: Nathalie Gagné
    Year: 2006

  • Mole

    CRISS ANGEL Believe

    Mole

    "The concept for this costume evolved a lot. It started out as a cockroach, then a rat, and finally a mole. The idea was that it should be repulsive, something you didn't want to touch. It was prickly and noisy, you really didn't want to get close to it." Peter McNaughton - Senior Cutter

    Costume designer: Meredith Caron
    Makeup designer: Nathalie Gagné
    Year: 2008

  • Dance Waver

    ZAIA

    Dance Waver

    "In my visual research I was inspired by the inhabitants of the world's great cities. Modern metropolises are characterized by ethnic diversity - a diversity that young people today just naturally embrace - and that has given birth to a new culture that can be seen in the way people dress. The costumes in ZAIA are a tribute to this eclecticism and this fusion of genres." Dominique Lemieux - Designer

    Costume designer: Dominique Lemieux
    Makeup designer: Nathalie Gagné
    Year: 2008

  • Criquet

    OVO

    Cricket

    "We pushed this technique even further, by printing on coloured materials, sublimation and eroding the fabric not only to stiffen it, but also to give it a metallic sheen" Liz Vandal - Costume Designer

    Costume designer: Liz Vandal
    Makeup designer: Julie Bégin
    Year: 2009