Cirque du Soleil
Cerrar
 
 

Sala de prensa

 

Materiales de prensa

Cirque du Soleil ofrece dosieres de prensa de sus distintos espectáculos e información sobre la empresa.

Cirque du Soleil

Todo comenzó en Baie-Saint-Paul, un pequeño pueblo cerca de Quebec (Canadá). Allí, a comienzos de la década de los ochenta, un grupo de personajes llenos de color deambulaban por las calles subidos en zancas, haciendo malabares, bailando, lanzando fuego por la boca y tocando música. Se trataba de Les Échassiers de Baie-Saint-Paul (los zancudos de Baie-Saint-Paul), un grupo de teatro callejero fundado por Gilles Ste-Croix. Los habitantes del pueblo quedaron impresionados por los jóvenes artistas y, entre ellos, se encontraba Guy Laliberté, que posteriormente fundaría y se convertiría en director general del Cirque du Soleil.
 
 
 

Semblanza

Eric Champoux

Lighting Designer

A painter since the age of 16, Éric Champoux has always taken a keen interest in light.

Since graduating from the National Theatre School of Canada in 1997, Éric has designed the lighting for more than 60 theatre productions in Quebec and Europe. He has worked with such Quebec directors as André Brassard, Gilles Champagne, Alice Ronfard, René Richard Cyr, Claude Poissant and Yves Desgagnés.

For the last dozen or so years, Éric has worked particularly closely with Wajdi Mouawad, lighting his productions of Rêves, Les Troyens, Le Mouton et la Baleine, The Three Sisters, Incendies, Fôrets, and, most recently, Seuls.

Éric designed the lighting for Alice Ronfard’s 2006 production Désordre Public at Théâtre Espace Go, where he also lit La Promesse de l'aube and Les hommes aiment-ils le sexe, vraiment, autant qu'ils le disent? created by a collective of writers and directors.

In his mission to bring the art of the real – and the unreal – to the audience, Éric is constantly seeking to improve his mastery of painting with the medium of light.

"I paint light onto bodies and objects,” he says. “I create a luminous image on stage exactly the same way I paint, layer by layer, revealing the characters on a canvas of colour. Both results are based on the same approach."