Cirque du Soleil
Cerrar
 
 

Sala de prensa

 

Material de prensa

El Cirque du Soleil ofrece kits de prensa de sus diferentes espectáculos e información acerca de la compañía.

Cirque du Soleil

Todo comenzó en Baie-Saint-Paul, un pueblo pequeño cerca de la ciudad de Quebec, en Canadá. A principios de 1980, un grupo de personajes coloridos deambulaba por las calles en zancos, haciendo malabares, bailando, tragando fuego y tocando música. Eran Les Échassiers de Baie-Saint-Paul (los caminadores sobre zancos de Baie-Saint-Paul), un grupo de artistas callejeros fundado por Gilles Ste-Croix. Los lugareños estaban impresionados e intrigados por los jóvenes artistas, entre los que se encontraba Guy Laliberté, quien más tarde fundaría y se convertiría en presidente del Cirque du Soleil.
 
 
 

Biografía

Christiane Barette

Associate Director of Creation

Everything in Christiane Barette’s background predisposed her to a career in the arts. Born into a family that placed a premium on artistic expression, culture and the interaction of ideas, she became – at a very early age – interested in classical music, reading and theatre, and spent a lot of time exploring museums and art galleries.

After obtaining a bachelor’s degree in translation from the Université de Montréal, Christiane studied political science at the Université du Québec à Montréal and then pursued her interest in the history of art and Italian culture.

Christiane Barette was attracted to the circus aspects of street performance and joined the National Circus School in Montreal, where she worked as director of marketing and communications for seven years. She then moved to Holland, where she made her living researching artists on behalf of private companies.

When Christiane came back to Montreal, Guy Caron, the director of creation for Cirque du Soleil invited her to become his assistant. She first worked on research pertaining to the creation of the show KÀ, directed by Robert Lepage. She remained as assistant to the director of creation until the delivery of KÀ in February 2005.

Back in Montreal following the premiere of KÀ, Christiane assisted Guy Caron and Fernand Rainville, co-directors of the Cirque-produced show for the opening ceremonies of the MONTREAL 2005 - XI FINA WORLD CHAMPIONSHIPS. She then undertook research on other themes for potential shows including the project scheduled to open in Dubai in 2010.

CRISS ANGEL Believe is Christiane Barette’s first Cirque du Soleil production as director of creation. “Creation is the driving force at Cirque,” says Christiane. “The role of the director of creation is to demystify the process, which is highly complex, to simplify it and bring it down to a human scale. The goal: to let the creators create. With CRISS ANGEL Believe we want to change the way people think of magic and present it as an art form. The show is a surreal journey into the subconscious of a character with magical powers who sets out on an out-of-this-world rollercoaster ride.”

Christiane Barette was born in Montreal.