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報道資料

Cirque du Soleil (シルク・ドゥ・ソレイユ)では、各種ショーのプレスキット、会社情報を用意しております。

Cirque du Soleil

すべてはケベックシティ(カナダ)の近郊の小さな町、ベ・サン・ポールで始まりました。1980 年代の初め頃、ベ・サン・ポールでは色とりどりの衣装をまとったキャラクターの一団が街を練り歩き、竹馬、ジャグリング、ダンス、火吹き、音楽などの芸を披露していました。彼らこそ、ジル・サンクロワが組織したストリートパフォーマンスのグループ、Les Échassiers de Baie-Saint-Paul(ベ・サン・ポールの竹馬乗り)でした。すでに街の人々はこの若いパフォーマーのグループに心を動かされ、魅せられていました。パフォーマーの中に、後に Cirque du Soleil の設立者のひとりとなり、CEO となるギー・ラリベルテもいました。

 
 
 

経歴

Jacques Heim

Choregrapher

When choreographer Jacques Heim first heard that Cirque du Soleil was interested in working with him he thought it was a mistake. Although he had admired every Cirque show he had seen, and he had seen almost all of them, he never thought Cirque and his own dance company would be a good fit—until KÀ came along.

Heim was born in Paris but moved to New York as a young man, and studied as a theatre major at Middlebury College , Vermont . Upon graduation he moved to England, where he studied dance, then came back to the United States where he founded the acclaimed Los Angeles dance company Diavolo.

For Heim, the link between Diavolo and KÀ lay in the process. "It's the same," he says, pointing out that, just like the cast of KÀ, Diavolo's dancers work with enormous architectural structures and props in constant motion. "I work with acrobats and different types of movers and dancers. We don't do circus but we do deal very much with structures and architectural environments. I'm not used to Cirque, but I am used to this kind of process."

To create the show's choreography Heim had to blend dance with martial arts, acrobatics, puppets and projections—and he says that took some getting used to. "All those different languages and layers had to be mixed and put together. It wasn't easy, but I knew it was going to be possible because we had Robert Lepage as our director, and with his vision, somehow we would be able to put it together."