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報道資料

Cirque du Soleil (シルク・ドゥ・ソレイユ)では、各種ショーのプレスキット、会社情報を用意しております。

The Beatles LOVE

シルク ・ ドゥ ・ ソレイユ は 「ラブ」で、 時を越えたオリジナルのレコーディングを通 し ビートルズの音楽上の 貢献を讃えています。 60 人の国際的なアーティスト が、 若い都会的エネルギー で、 ビートルズの すばらしさを表現します 。アビ ・ ロード ・ スタジオでのマスターテープを使用 し、サー ・ ジョージ ・ マーティンとジャイルズ ・ マーティン がこの作品 のためにビートルズの音楽のユニークな 音楽パノラマ をクリエイトしました。 パノラマ ミックな サウンドと ステージ で 、新しい ビートルズ に出会うことでしょう 。ラスベガスのミラージュ ホテル (The Mirage) のみで公演 です 。

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The Mirage, ラスベガス, NV でのレジデントショー

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The Beatles LOVE - クリエーター

  • ギー・ラリベルテ

    創設者

    ギー・ラリベルテは 1959 年にケベックシティで生まれました。アコーディオン奏者、竹馬乗り、火食い芸人、そしてギーは、少人数のグループのサポートも得て、ケベック最初の国際的名声を得たサーカス集団を結成しました。大胆な夢想家、ギー・ラリベルテは、ベ・サン・ポールの Fête foraine (ラ・フェト・フォレーヌ)から優秀な人材を発掘して才能を育て、1984 年に Cirque du Soleil を結成しました。

    ギー・ラリベルテは、文化、芸術、アクロバットを融合して調和させた最初の人物です。この調和こそ、Cirque du Soleil の象徴です。1984 年以降、彼はすべてのショーでクリエイティブチームを率い、サーカスアートを偉大な芸術分野のレベルにまで引き上げることに貢献してきました。

    Cirque du Soleil は、活動と影響の範囲の大きさにおいても、国際的組織に成長しました。現在ギー・ラリベルテは、5 大陸で活動を続ける組織のトップの座にあります。

    2007 年 10 月、ギー・ラリベルテは ONE DROP FOUNDATION を組織し、彼の人生の次のステップに踏み出しました。この組織は、安全な水を継続的に供給することによって、世界中の貧困と闘うことを目的としています。この新たな夢は、水を得る権利は世界中の個人と共同体の生命の維持に不可欠であるという認識、そして創立当初から Cirque du Soleil の理念の核となっていた価値観が発端となっています。その価値とは、生命は自分が与えた分だけこちらに与えてくれ、たとえ小さな活動でもいずれ効果を発揮する、という信念です。

    ギー・ラリベルテは 2009 年 9 月に民間人としてカナダで初めて宇宙旅行を行いました。彼の使命は、地球上の人類が直面している水の問題に対する関心を高めることでした。「Moving Stars and Earth for Water」というテーマのもと、この宇宙始まって以来最初の Poetic Social Mission(詩的な社会活動)は芸術的なアプローチで人々の心を動かすことを目的としていました。そのアプローチとは、さまざまな芸術的パフォーマンスによる 120 分間の Web キャスト特別プログラムを、5 大陸の 14 都市と国際宇宙ステーションで公開するというものです。

    主な受賞歴と特記事項
    2012 年、ギー・ラリベルテは American Gaming Association の「Gaming Hall of Fame」を受賞しました。2011 年には、カナダのビジネス功労賞「Order of the Canadian Business Hall of Fame」を受賞しました。2010 年に、ハリウッド・ウォーク・オブ・フェームにギー・ラリベルテの星のプレートが設置されました。同年、ケベック州政府により、6 年前に授与された名誉賞「シュヴァリエ」よりさらに上級の「オフィシエ」が、「Ordre de la Pléiade」のメンバーとして授与されました。2008 年にギー・ラリベルテはラヴァル大学(ケベック州)より名誉博士号を授与されました。その前年には、Ernst & Young Entrepreneur of the Year 賞を、ケベック州、カナダ、国際の全 3 レベルで受賞しました。2004 年には、カナダ総督より、カナダ最高の栄誉であるカナダ勲章を授与されました。 同年、タイム誌により、「世界で最も影響力のある 100 人」のひとりに選出されました。2003 年には、Condé Nast グループにより、クリエイターとイノベーターを対象とする Never Follow Program で栄誉を称えられました。2001 年、彼はグレーター・モントリオール・アカデミーにより、偉大なるモントリオール市民の称号を与えられました。1997 年には、ケベック州政府最高の栄誉であるケベック勲章を授与されました。


    その他の受賞歴と特記事項

    2009
    Canadian Marketing Associationによる、ライフタイム・アチーブメント賞を受賞

    2002
    カナダのウォーク・オブ・フェームに名前が彫られる

    1998
    アメリカン・クラフト博物館(現在はニューヨークのアート・アンド・デザイン博物館)によるヴィジョナリー・アワードを受賞

    1996
    第 43 回 Gala du Commerce(ケベック)にてVision nouvelle賞を受賞

    1988
    Gala Excellence La Presse(ケベック)のパーソナリティ・オブ・ザ・イヤーを受賞

    1988
    Les Affaires 誌(ケベック)の Entrepreneur of the Year 賞を受賞

     

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  • Sir George Martin

    Musical Director

    Legendary producer of The Beatles, Academy Award-nominated composer and founder of AIR Studios, Sir George Martin has produced a record-breaking 30 Number One singles in the UK. In his career to date he has received two Ivor Novello Awards and five Grammys. In 1962 he signed The Beatles to EMI and went on to produce all of their records until they disbanded in 1970.

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  • Giles Martin

    Musical Director

    Giles Martin is an award-winning record producer and the son of Sir George Martin. They have been working as a team to create a soundtrack for LOVE that is designed to be both familiar, and at the same time brand new, with a sense of intimacy underscoring the drama and grandeur of the Beatles' compositions.

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  • シャンタル・トランブレー(Chantal Tremblay)

    創作ディレクター

    1980 年代末、ダンスでのキャリアを求めてニューヨークで暮らしていたシャンタル・トランブレーは、Cirque du Soleil のショーを見て入団を決心しました。彼女は Cirque プロジェクトでダンサーとしてのキャリアをスタートし、後に「Mystère」の作品で振付師のデボラ・ブラウンのアシスタントを務めるようになりました。以降、「Alegría」や「La Nouba」など、多くの Cirque プロジェクトを手掛け、「Mystère」ではアーティスティック・ディレクターを務めました。その後、そうした確固たる実績が認められ、「The Beatles LOVE」と「OVO」のショーでは、創作ディレクターを務めるまでになりました。

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  • ジャン・ラバス(Jean Rabasse)

    劇場およびセットデザイナー

    Jean Rabasse has worked extensively in cinema, theatre and dance as a set designer and decorator. He has designed the sets for Philippe Decouflé's dance company DCA for more than a decade.

    Jean was nominated for an Academy Award and won the César for his sumptuous, elaborate designs for the 2001 film Vatel. His other film credits include Astérix et Obélix contre César, directed by Claude Zidi, The Dreamers, directed by Bernardo Bertolucci, The City of Lost Children, Delicatessen directed by Caro and Jeunet, Norman Jewison's The Statement and Christophe Barratier’s Faubourg 36, for which he received a César nomination.

    In 2009, he designed the sets for the opera L'Amour de loin, in a staging by Daniele Finzi Pasca, presented by the English National Opera in London.

    A versatile artist, Jean Rabasse reinvents the craft of forms. "I make no distinctions between the disciplines in which I work. In movies I always stress theatrical effects, to give the film soul. In the theatre, I use cinematic elements."

    IRIS is the third Cirque du Soleil show (following Corteo and The Beatles LOVE) for which Jean has designed the sets.

    "Instead of a classic representation of cinema referring to specific films, we wanted to capture the essence of cinema, its original emotion," says Jean Rabasse. “The proscenium of IRIS is a nod to the origins of cinema in Coney Island and the world of Jules Verne, and acts as the gateway to our imaginary world."

    Jean Rabasse was born in Tlemcen, Algeria.

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  • Philippe Guillotel

    Costume Designer

    Philippe Guillotel began designing and making costumes when he was just eight. As soon as he could, he studied design, cutting and sewing at various schools in Paris. After a decade in the world of fashion he discovered dance, and through it, his true calling: costume allied to movement.

    Since 1985, Philippe has worked for many high profile French movie and theatre directors. He has had a long working relationship with the renowned French choreographer Philippe Decouflé for whom he designed the astonishing costumes seen in the opening and closing ceremonies of the 1992 Winter Olympics in Albertville, France. He also worked with Decouflé on the opening ceremonies of the 50th Cannes film festival in 1997 and Tricodex, a multimedia work for the Ballet de l'Opéra de Lyon, in 2003. Between 2001 and 2005, his designs were featured in four ballets, including La Belle, staged by the Ballets de Monte Carlo.

    Philippe designed the exuberant costumes for the 2002 feature film Astérix & Obélix: Mission Cleopatra, for which he received a César award, and prior to that, the films Doggy Bag and À la Mode. In 2007 he designed the costumes for choreographer Jean-Christophe Maillot’s production of Gounod’s Faust in Wiesbaden. He has been equally active in the world of live shows, designing the costumes for the musical Starmania in 1995 for Canadian composer and director Lewis Furey, and videos for a number of artists such as Julien Clerc and Alain Souchon.

    With his costumes for IRIS, Philippe is working on his second Cirque du Soleil production, following The Beatles LOVE. "Cirque du Soleil has the biggest costume shop in the world,” he says. “Its scope gives designers permission to allow their imaginations a much freer rein than anywhere else."

    "I explored several distinct themes with the IRIS costumes: capturing and transmitting images, sound and light," he says. “I also wanted to reflect the evolution of color in film from black and white to the saturated colors of Dick Tracy, passing through colorization and Technicolor. I would like the costumes in IRIS to trigger what each spectator imagines when someone says the word ‘cinema.’"

    Philippe Guillotel was born in Paris.

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  • ジョナサン・ディーンズ(Jonathan Deans)

    サウンド・デザイナー

    ミュージカルの世界で最も人気の高いサウンド・デザイナーの 1 人と言われるジョナサン・ディーンズは、Viva ELVIS(ビバ・エルビス)の音環境を担当した人物です。Saltimbanco(サルティンバンコ)、Mystère(ミステール)、“O”(オー)、La Nouba(ラ・ヌーバ)、ZUMANITY(ズーマニティ)、KÀ(カー)、Corteo(コルテオ)、The Beatles LOVE(ザ・ビートルズ・ラブ)、KOOZA(クーザ)、Wintuk(ウィントゥック)、CRISS ANGEL Believe(クリス・エンジェル ビリーブ)、そして最新作の OVO(オヴォ)でサウンドスケープをクリエイトしてきたことを通して、Cirque で制作中の作品やチームワークによるクリエイティブなアプローチがかなり刺激的であることを認めています。

    彼は幼い頃、エレクトロニクスに夢中でした。15 歳のときに俳優としてロイヤルシェークスピア劇団に入団し、そこでサウンドへの強い関心が演劇的な要素に溶け込むきっかけとなりました。数年後、音楽業界でサウンド・エンジニアの肩書きを持つようになり、特に Morgan Studios でキャット・スティーブンス、ポール・サイモン、リック・ウェイクマンなどのアーティストと肩を並べて仕事をしたのち、彼はロイヤル・オペラハウス(コベントガーデン)で再び演劇の仕事を手がけるようになり、その後、ミュージカルの「コーラスライン」ではサウンドミキシングを担当しました。彼は次から次へと成功を収め、サウンド・ミキシング・エンジニアとして、「エビータ」、「キャッツ」、「ダウンタウン物語」、「サウンド・オブ・ミュージック」をはじめとする数多くの作品を手がけるようになりました。

    ミキシング・サウンド・エンジニアとしての成功により、彼はミュージカル「マリリン」のサウンド・デザイナーとして雇われることになりました。その後、「タイム」、「レ・ミゼラブル」、「カリブの反乱」、「ジーン・セバーグ」などのウェストエンドのショーを手がけたのち、ブロードウェイで、「ラグタイム」、「フォッシー」、「ダビデ王」、「くたばれ!ヤンキース」、「タブー」、「ブルックリン」、「吸血鬼レスタト」、「パイレート・クィーン」、「ヤング・フランケンシュタイン」の制作に携わりました。

    ジョナサン・ディーンズにとって、Cirque の常設ショーとビッグトップは、それぞれサウンドデザインの面ではまったくの別世界です。「それらはそれぞれに技術的な要求が異なりますが、音楽とサウンドのテクスチャーとレイヤーに関する限りは、いずれも同じです」と彼は言います。「自分の仕事はすべての作品にユニークな環境を創り上げることです。そして、それがどんな環境であっても、作り出される音響によって、観客が別世界に足を踏み入れていることを実感できるようにする必要があると考えます」。

    「ショーには本物のエルビスは登場しませんが、ショーの要素はすべてエルビスに結びついています。そのため、サウンド・システムで視覚と同じ音響効果を生み出すことは大変に重要で、それらはすべてエルビスの名に値するものでなければならないと思います」。「Viva ELVIS の劇場は、彼の偉大な伝説にふさわしく巨大なものです。その課題に対応できるサウンドを作り出すために、床部分にサブウーファーを埋め込み、コンクリート構造自体が持つ低周波の共鳴音を利用して、低周波の音振動を加えることができるようになりました。これはサウンド効果を生み出すだけでなく、文字通り、生演奏に合わせて観客席を動かすものです」。

    ジョナサン・ディーンズは英国で生まれ、現在はニューヨークに在住しています。

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  • Yves Aucoin

    Lighting Designer

    Lighting Designer Yves Aucoin has racked up an unparalleled list of credits working with musicians and singers. He has worked with Celine Dion on all her shows since 1989.

    He has also created the lighting for the singers Roch Voisine, Garou and Julio Iglesias, and worked as a lighting consultant for Elton John, Gloria Estefan and Le Rêve.

    In musical theatre, Aucoin has worked his own magic on Grease, Romeo and Juliet, Elvis Story, La Cage aux Folles, and has also worked with the stage magic of Alain Choquette. He has lit the gala shows of the Just For Laughs comedy festival in Montreal and designed André-Philippe Gagnon's lighting for his one-man shows in Las Vegas .

    Aucoin has also worked extensively in television on broadcasts that include Garou – Portrait of a Singer, Cent Ans en Chantant, the ADISQ Awards Gala and the Governor General of Canada's Awards Annual Gala. Along the way, Aucoin has received many awards for his work, including the Félix (the Canadian equivalent of the Grammy). Branching out into other entertainment arenas, Aucoin has lit skaters in Holiday on Ice and the musicians of the Montreal Symphony Orchestra when they played the Molson Centre in 2000.

    LOVE is the first Cirque du Soleil production Aucoin has worked on. "The show is full of challenges," he says. "The biggest is the fact that it's in the round. A 360-degree stage means that one person's front light is another person's back light, and that all has to be worked out to the high, high standards Cirque has established with all its previous shows. But along with the challenges comes the opportunity for me to do my best work."

    Yves Aucoin was born in 1964 in the Magdalen Islands, Quebec.

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  • Francis Laporte

    Images and Projections Designer

    Video Projections Designer Francis Laporte belongs to the new generation of creators who integrate digital video production and projection technology with more traditional live show forms. Since finishing university in 1992, he has worked on some 20 projects integrating video with the performing arts and theatre. One of his landmark professional assignments was the video design for a stage adaptation of Homer’s Odyssey directed by Dominic Champagne. He also does performances and installations, both alone and with other artists.

    As a projections designer, Francis Laporte can make good use of his diverse training. After studying communications and drama in college, he entered the theatre program at the Université du Québec, specializing in directing and stage design. His interest in images led him to video and multimedia production. “In drama, I looked at shows from the director’s point of view, whereas in video my approach was more theatrical. As a video designer for live shows, I’m finally working on bringing these media together,” he says.

    Francis Laporte also creates images for prestigious television broadcasts, such as the opening ceremonies of the Jeux de la Francophonie and the awards ceremony La Soirée des Jutra. In 2003-2004 he developed the visual concept for Eros Ramazzotti’s show (directed by Serge Denoncourt) and created the set design and visual concept for a performance of the Fantastic Symphony by Berlioz at the Walt Disney Concert Hall in Los Angeles. He has also taken on the stage design for live concerts, including Quebec singer-cellist Jorane and singer-songwriter Stefie Shock.

    In 1999, Francis Laporte created the multimedia overture for Dralion. But Varekai was the first Cirque du Soleil show to fully incorporate this new artistic language. He further extended his approach in LOVE, Wintuk and now in CRISS ANGEL Believe. “At Cirque du Soleil, we have the great good fortune of working in a context where everything isn’t seen in terms of constraints; instead there’s a shared determination to see how far we can push the limits,” he notes.

    "Visually, my role is to give the dimension of perspective and depth to the world of CRISS ANGEL Believe," says Francis Laporte. “The projections help to give the various environments a ‘Gothic/Victorian' flavor by blending the mysterious with the grandiose, the bizarre and the sublime. The core intention of the projections is to play with the perceptions, creating a kind of playful dialogue between the real and the virtual."

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  • Dave St-Pierre

    Choreographer

    Choreographer and self-described enfant terrible Dave St-Pierre has been dubbed an enfant terrible by many dance critics, but he is reluctant to accept the label himself . “ It’s weird ,” he says. “B ecause it was a Fred Astaire movie I saw when I was five years old that began my life long love affair with dance .” saw a Fred Astaire movie on television when he was only five years old, and that was enough to spark a lifelong interest in dance.

    He has accumulated an impressive résumé as a dancer, notably with Brouhaha Danse, staying with the company for more than six years.

    Following that , he danced for many Quebec choreographers including Harold Rhéaume, Daniel Léveillé, Jean-Pierre Perrault, Estelle Clareton, Pierre-Paul Savoie and Alain Francoeur throughout Canada, the United States and Europe. He was featured in many other shows, such as Amour, Acide et Noix and La Pudeur des Icebergs by Daniel Léveillé, as well as the musical Notre-Dame de Paris.

    As a choreographer, St-Pierre is best known for his groundbreaking 2004 creation La Pornographie des Âmes, which he performed five times in Montreal with his dance company before more than 2,000 people (an unprecedented feat in contemporary dance) . A nd during the same season they also performed the work in Munich, Berlin, Salzburg, Wolfsburg and Amsterdam has played all over the world to ra ve reviews. The piece won the 2004 prize for best show in Frankfurt and St-Pierre was named Personality of the Year, 2004-5 by Radio-Canada, the Quebec media outlets Mirror , The Gazette , ICI , La Presse and Le Devoir as well as the German magazine BALLETANZ .

    Dave St-Pierre’s work has been featured in several Montreal stage productions, including works directed by Claude Poissant at Espace Go in 2005. Brigitte Poupart approached him to work on her show Cérémonials and the Théâtre du Nouveau Monde engaged his services as Movement Director for its production of La Tempête, directed by Victor Pilon and Michel Lemieux. He also appeared in two productions for Cinéquanon Film, including the film l’Enfant de la Musique in which he played the lead character, Mozart.

    LOVE marks the third time Dave has worked for Cirque du Soleil. His first sortie was with ZUMANITY , which is playing at New York-New York Hotel & Casino in Las Vegas. In 2004 St- Pierre created the choreography for the Cirque mega-show Soleil de Minuit (Midnight Sun) which closed the Montreal International Jazz Festival in front of a crowd n audience of more than 200,000. On For LOVE Dave St-Pierre worked extremely closely with the dancers. “They are the catalyst for a heteroclite and sin gular form of dance,” he says. “Each brings his or her own energy and style to the show . I give them the power to create , so the dance will be truly in their own image, an image that reflects their oneness , their character and their life. My job is to bring out t he best in each of them, to see them in all their strength and their vulnerability. ”

    is sharing choreography duties with Hansel Cereza.. “I cast almost all the dancers myself,” he says. “My objective is to tap into their youth and energy in a completely contemporary context and idiom, rather than to attempt to recreate the style of the sixties.”

    Dave St-Pierre was born in 1974 in St. Jérôme, Quebec.

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  • Hansel Cereza

    Acrobatic Performance Designer

    The Spanish actor, choreographer and artistic director Hansel Cereza has traveled the world to bring his unique vision to theatre and dance productions large and small.

    He co-founded the renowned theatre company La Fura dels Baus as a performer and creator. He also worked in special events including a show called “Mediterranean” which he created for the opening ceremonies of the 1992 Olympics in his native Barcelona.

    Cereza left La Fura dels Baus in 1995 and has been working independently since 1996 putting on “Macro Shows” on a similar grand scale for major corporate clients.

    Equally at home in the world of dance, with many choreography credits to his name, Cereza created a flamenco performance to launch the film Muerte en Granada, and directed a production of Vicente Amigo’s “Poet” for the Spanish National Ballet.

    On LOVE Cereza is sharing choreography duties with Dave St-Pierre. He says he approached the challenge of creating choreographies for acrobats and other non-dancers by really getting to know the artists, finding out who they were, learning their fears, discovering what they were capable of and working very closely with them to tailor their movements to take advantage of their strength and physicality.

    Hansel Cereza was born in Barcelona in 1957.

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  • Guy St-Amour

    Acrobatic Equipment and Rigging Designer

    Guy St-Amour has been involved in the performing arts for more than 30 years. He began his career in 1975 as a technician and has participated in an impressive number of projects in theatre, cinema, television and circus. In 2002, he was selected to contribute his talents to Queen Elizabeth II’s Golden Jubilee Royal Visit to Canada and in 2005 he worked on the Lieutenant Governor of Saskatchewan’s Centennial Celebration of the Arts.

    Guy is one of the Cirque du Soleil pioneers, working in a number of technical direction capacities between 1984 and 1995. He participated in the creation of rigging systems for aerial numbers, special effects, acrobatic equipment and set design elements. He has been interested in audio since 1984, and created the sound design for Nouvelle Expérience in 1989. He also designed, created and supervised the installation of the big tops for Cirque’s European and North American tours between 1989 and 1995. Viva ELVIS is his third Cirque production as a designer. In the early 2000s, he designed the tent and bleachers for Cheval Théâtre, the equestrian show created by Gilles Ste-Croix.

    In 1987 Guy founded his own consulting company which has worked for scores of clients including Expo ‘98 in Portugal (for which he created a teleport simulator), the Montreal Casino, the National Film Board of Canada, the Just For Laughs comedy festival, Opéra de Montréal’s Carmen Sous les Étoiles and the Montreal International Jazz Festival. At the same time he is intensely involved in training the next generation of technicians in Quebec, teaching at the National Theatre School, the École Nationale de Cirque and the Montreal-based circus arts national network En Piste.

    In 2006 Guy created the motorized equipment and special effects for the show Joe Dassin in Montreal and the acrobatic equipment and rigging for the Cirque du Soleil show LOVE in Las Vegas. He followed that with the set and production design for a concert by the singer Chantal Chamandy, staged in Egypt in 2007. He then worked as a safety consultant on a production of The Ring of the Nibelung directed by Robert Lepage at the Metropolitan Opera.

    "The scale of the theatre and the sheer number of set changes calls for more and bigger acrobatic equipment than any other show we’ve done,” says Guy St-Amour. “Whether it’s the giant guitar, a 14-meter aluminum bridge that supports two acrobats, or the Jungle Gym, a parallel bar structure used in the GI Blues number, everything is like Elvis himself: It’s all larger than life."

    Guy St-Amour was born in Montreal in 1959.

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  • Daniel Cola

    Acrobatic Performance Designer

    Virtuoso acrobat Daniel Cola comes from the world of trampoline, a discipline that was perceived as more of a sport than a circus art at the start of his career. A member of the French national trampoline team from 1978 to 1984, he became World Champion in 1982. His career took him to Sea World in Florida where he tried circus arts for the first time.

    On his return to France he heard that Cirque du Soleil was looking for a trampoline act for the show Mystère – and he was selected. His experience with Cirque allowed him to discover other circus disciplines, including the Teeterboard and the Chinese poles.

    When Daniel Cola joined Cirque du Soleil in 1993 it brought to fruition an early ambition of his to combine his two first loves: acrobatics and performance. “Even at the age of 16 my goal was to create shows based on the trampoline,” he recalls.

    Daniel left Mystère to take a more theatrical and less acrobatic role in Alegría, and toured Europe and Asia with that show for two years. In 1998 he created a trampoline act and became a coach for the Cirque production La Nouba in Florida. He stayed with the show as the Artistic Coordinator until 2004.

    In 2005 Daniel was appointed Acrobatics Performance Designer for The Beatles LOVE, at the Mirage. He followed that in 2007 by coaching the performers for the Super Bowl pre-game show. And later the same year he designed the acrobatic performances for Cirque's seasonal show Wintuk at Madison Square Garden.

    "Larger than life: those are the watchwords that inspired our acrobatic approach to Viva ELVIS," says Daniel Cola. “You could define some of the pieces of acrobatic equipment as part of the set, given their size.”

    Daniel Cola was born in 1962 in Asnières, France.

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  • ドミニク・シャンパーニュ(Dominic Champagne)

    ショーのオリジナルコンセプトのディレクターおよび脚本

    A multitalented and prolific playwright, director and Artistic Director of his own theatre company, Dominic Champagne has been a forceful presence on the Quebec cultural scene since graduating from the National Theatre School of Canada in 1987.

    In 1992, Champagne created waves among the public and his peers with his show Cabaret Neiges Noires, written in collaboration with his fellow artists at Théâtre il va sans dire. Inspired by Martin Luther King's famous "I Have a Dream" speech, the play was highly innovative in both its message and its medium. The script was at once cynical, poetic, dark and funny, while the festive and unrestrained staging brought together acting, song and music. Champagne's gamble paid off: he succeeded in taking a critical look at the era and in bringing new audiences into the theatre. The show has been performed more than 100 times since it was first created.

    Champagne adapted and directed Don Quichotte (Cervantes' Don Quixote) for a 1998 stage production that attracted record crowds to Montreal's Théâtre du Nouveau Monde, and in 2000 he set new attendance records with his staging of L'Odyssée (The Odyssey, by Homer). His other creations for the theatre include La Caverne, L'Asile, Lolita, La Cité Interdite and La Répétition.

    He has also worked in television as a writer for the series Les Grands Procès, and was involved in the creation and direction of many variety shows including Le Plaisir Croît Avec l'Usage, the opening ceremonies of the Jeux de la Francophonie, Tous Unis Contre le SIDA, Les Spectacles de la Fête Nationale and La Soirée des Masques.

    His more than 100 accomplishments for the stage, television and circus have earned him a host of awards and honors, including the Prix de la Critique for the text of La Répétition, two Gémeau awards for best direction for L'Odyssée and Don Quichotte, the Gémeau for best dramatic writing for Aurore and the Masque du Public for his adaptation of L'Odyssée.

    Champagne's work in theatre and television led to an invitation from Cirque du Soleil to direct Varekai in 2002. Champagne's next assignment for Cirque was to co-direct ZUMANITY with René Richard Cyr. Writing and directing LOVE has been both rewarding and enormously challenging for Champagne. "It was a privilege and a great honor to be asked to do this," he says.

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  • ジル・サンクロワ

    アーティスティック ガイド

    ジル・サンクロワがショー・ビジネスの世界に進みたいと両親に初めて打ち明けたとき、両親は「それだけはやめなさい」と反対しました。サンクロワはケベックの田舎町で育ちましたが、いつか必ず町を出ていこうと決めていました。その後、彼はヒッピーとなり、コミューンを転々とする放浪生活を送りながら、1960 年代のヒッピーの聖地、アメリカ西海岸に行き着きました。そこでは、コミューンで暮らし、演劇講座をいくつか聴講しました。

    サンクロワは世間に合わせて、しばらくの間は設計事務所で働きましたが、自分は型にはまったビジネス・キャリアには向いていないと心の中でわかっていました。一方で、その天職探しにおいては、明確な目標がありました。10 代の頃からずっと、成功したいという思いが強く、人を楽しませたいという思いも同様に強かったと彼は語ります。しかし、そんな彼に、極めて珍しく、思いもよらない形でショー・ビジネス界入りのチャンスが訪れます。

    1970 年代後半、ジル・サンクロワがケベック州ヴィクトリアヴィルのコミューンに住み、りんご摘みの仕事をしているときのことでした。ある日、脚にはしごを付けられれば、仕事がずっと楽になるのにと考えた彼は、竹馬第 1 号を考案します。

    近くのバーモントにあるブレッド・アンド・パペット劇場では、多くのパフォーマンスで竹馬を使っていると友人からたまたま聞き、サンクロワは一座を見に行ってみました。そこで、自分のりんご摘みのスキルが広いエンターテインメントの世界で役立つかもしれないと気付きました。

    1980 年、ジル・サンクロワと大道芸人の一団は、Échassiers de Baie-Saint-Paul(ベ・サン・ポールの竹馬乗り)を結成し、Fête foraine de Baie-Saint-Paul(ベ・サン・ポール・フェスティバル)という大道芸フェスティバルを開催しました。これを前身とし、彼は 1984 年にギー・ラリベルテと共に Cirque du Soleil を設立します。

    1984 年と 1985 年に、ジル・サンクロワは Cirque du Soleil のために竹馬を使用した多くのパフォーマンスを発案して行いました。1988 年、Cirque のアーティスティック・ディレクターに就任すると同時に、世界のすみずみまで人材探しを行いました。1990 年から 2000 年には、Cirque du Soleil の全作品の創作ディレクターを務め、Nouvelle Expérience、Saltimbanco、Alegría、Mystère、Quidam、La Nouba、"O"、Dralion を世に送り出しました。1992 年には、Cirque du Soleil の日本初公演作である Fascination の演出を担当しました。また、ドイツで上演され、1997 年のディナー/キャバレー・ショーの火付け役となった Pomp Duck and Circumstance も手掛けました。

    2000 年、Cirque du Soleil の顧問を続ける傍ら、ジル・サンクロワは最大の夢の 1 つを叶えようと決意しました。馬への情熱に突き動かされた彼は自身の劇団を設立し、2003 年に Cheval-Théâtre を制作しました。これは、テントの下で行われる 30 頭の馬と 30 名のアクロバット・アーティストによるパフォーマンスを目玉とするショーで、北米 10 都市で上演されました。

    2002 年 12 月からは、新規プロジェクト開発部門の創作担当副社長として Cirque du Soleil に復帰しています。2006 年 7 月、ジル・サンクロワはクリエイティブ・コンテンツ担当上級副社長に任命されました。

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  • Nathalie Gagné

    Makeup Designer

    Makeup Designer Nathalie Gagné has been fascinated by makeup and its influence on the actor’s craft since her teens. She studied theatre production at Cégep de Saint-Hyacinthe, a community college in Quebec, then went on to become one of the first graduates of the Montreal subsidiary of the famed Paris-based makeup school École Christian Chauveau.

    Before joining Cirque du Soleil, Gagné worked in theatre, film and television. She was twice nominated for a Gémeau award for best makeup, all categories combined. The honor is conferred by the Academy of Canadian Cinema and Television.

    “Makeup is a reflection of the character’s soul. It’s also a magic wand that sweeps away inhibitions,” says Gagné, who since 1995 has crafted more than 200 separate makeup designs for Cirque. Her final concepts were culled from over 2,000 sketches.

    Since Cirque performers have to apply their own makeup, Nathalie Gagné involves them in the actual creation of their onstage look. “Unlike actors, acrobats aren’t used to studying their own faces,” she says. “One of my goals is to get them to do just that, and help them find within themselves what I call ‘lines of force’ that will serve to build their characters.”

    Nathalie Gagné is also responsible for ensuring the integrity of all makeup designs that bear her signature. Since the performers apply their own makeup, workshops in makeup techniques are now part of the general training provided to Cirque du Soleil artists. Gagné first teaches performers how to do their own makeup, and then writes a step-by-step application guide for each of them.

    Nathalie introduced new makeup concepts to the shows Mystère, Alegría and Saltimbanco, which led her to work with director Franco Dragone and costume designer Dominique Lemieux. Following her work on Quidam, “O”, La Nouba, Varekai, Zumanity, KÀ, Corteo, Delirium, LOVE, ZAIA and CRISS ANGEL Believe™ is Nathalie Gagné’s eleventh contribution to the creation of a Cirque du Soleil show.

    "To establish the rich, ripe characters in CRISS ANGEL Believe™, we worked the way we do in film, – designers and artists building together – to invent each of the personalities,” says Nathalie. By using costumes and projections as components of the makeup, we are looking to create a crazy but perfectly credible universe. We wanted to turn the improbable into the plausible. "

    Nathalie Gagné was born in 1963 in Trois-Pistoles, in the Lower St. Lawrence region of Quebec.

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  • Patricia Ruel

    Props Designer

    Patricia Ruel has contributed to the success of a myriad of plays, television shows and special events, both in Quebec and abroad. Her track record includes over 50 productions as Props Designer and a dozen as Set Designer. Patricia has received two Théâtre Denise-Pelletier awards for her sets for Révizor, directed by Reynald Robinson, in 2003, and Edmond Dantès, directed by Robert Bellefeuille, in 2004. In 2011, she received a Gémeau award in the “Best Set Design: all variety categories, magazines, public affairs, sports” category for the end-of-year special Bye Bye 2010, aired on SRC. She has worked with various theatre directors, including Robert Lepage, Dominic Champagne and Fernand Rainville. She has also worked on several projects for Cirque du Soleil, including KÀ, The Beatles LOVE and Viva ELVIS as Props Designer and Wintuk and Banana Shpeel as Set Designer.

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  • ミシェル・キュリー(Michael Curry)

    パペットデザイナー

    パペット・デザイナーのミシェル・キュリーは、メトロポリタン・オペラ、ロンドンのロイヤル・ナショナル・シアター、Disney Theatrical Productions、LA オペラ、ユニバーサル・ピクチャーズなど、一流の娯楽会社とコンセプトおよび技術開発の両面において幅広く協力しています。彼はブロードウェイ、オリンピックの開会式/閉会式、特撮やパペット・デザインの分野での継続的な革新でパペットや衣装作品の賞を受賞したのをはじめ、数多くの名誉ある賞を受賞してきました。また、多くの舞台やオペラ作品でジュリー・テイモアとのコラボレーションを経験しています。彼が受賞した膨大な数の賞には、テイモアとの「The Lion King」での作品が高く評価されて受賞した1998 年のドラマ・デスク・アワードの最優秀パペット・デザイン賞も含まれます。また、その他の功績としては、パリのオペラ座でロベール・ルパージュが監督を務めたオペラ、ミラノのスカラ座でウィリアム・フリードキンが監督を務めたオペラ、ボノやエッジが音楽を担当し、ジュリー・テイモアが監督を務めたブロードウェイ作品の「Spider Man」などもあります。ミシェル・キュリーと Cirque du Soleil とのコラボレーションは、「KÀ」、「The Beatles LOVE」、「Wintuk」「CRISS ANGEL Believe」に続いて今回で 5 回目になります。

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