Cirque du Soleil
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Material para a imprensa

O Cirque du Soleil oferece kits para a imprensa de vários espetáculos e informações sobre a empresa.

Cirque du Soleil

Tudo começou em Baie-Saint-Paul, uma pequena cidade próxima a Quebec City, no Canadá. Ali, no início dos anos 80, um grupo de personagens coloridos perambulava pelas ruas, caminhando sobre pernas-de-pau, fazendo malabarismos, dançando, engolindo fogo e tocando músicas. Eles eram os Les Échassiers de Baie-Saint-Paul (os Equilibristas de pernas-de-pau de Baie-Saint-Paul), um grupo teatral fundado por Gilles Ste-Croix. Os habitantes da cidade ficaram impressionados e fascinados com os jovens artistas, incluindo Guy Laliberté, que, mais tarde, fundaria o Cirque du Soleil e ali atuaria como CEO.

 
 
 

Biografia

Deborah Colker

Writer, Director and Choreographer

As a child in her native Brazil, Deborah Colker grew up in a creative environment. Her father was a violinist and conductor and she started piano lessons at the age of eight. “Though I was quite good at it, playing with an orchestra at 14, I soon realized I needed to express my emotions physically as well, through sports for instance,” she says. “I was very passionate and intense and contemporary dance gave me the chance to fit together physical and intellectual emotion.”

Deborah became a member of Uruguayan choreographer Graciela Figueroa’s Coringa company in 1980. In 1984, she began creating choreographies and directing piece movements for musicals, shows, TV programs, movies and samba schools.

Wanting to create a choreographic language of her own, Deborah founded her company, Companhia de Dança Deborah Colker in 1994, and created many highly acclaimed full-length dance pieces for it, including Vulcão, Velox, Mix, Rota, Casa and 4 Por 4.

In Brazil alone Deborah’s individual works have attracted large and loyal audiences. "My work is like Brazil," she says, "the mix of colors, the dynamics and rhythms, the happiness and possibility of a long way of discovery. It's an honor to me that my background is this beautiful, creative, and musical country."

Deborah’s award-winning work quickly caught the attention of the entire dance world. In 2002, she was invited by Komische Oper in Berlin to choreograph a full program, Casa (a piece originally created for Deborah’s own company in 1999) and Ela. In 2006, she went on to create Maracanã for the Culture Factory of Kampnagel in Hamburg. Deborah became the first Brazilian artist to win the Laurence Olivier Award, one of the most important cultural prizes in the UK, in the “Outstanding Achievement in Dance” category for her choreography MIX in 2001.

Working with Cirque du Soleil called for a departure from Deborah’s customary way of working. She is used to developing concepts as an integral part of the rehearsal process, but for Cirque 2009 she had to come up with the concepts a year and a half before rehearsals began.