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太阳剧团提供其各种演出的宣传资料及公司的相关信息。

La Nouba

本剧名称源于法国习语 “faire la nouba”,意思是共同庆祝,纵情狂欢。 这是一个梦幻与现实交织的世界,城市和马戏世界在舞台上相遇,碰撞击发火花。 多方融合的特技、炫丽的舞蹈编排、异想天开的人物形象和现场激荡人心的音乐,从始到终,魔动之旅 (La Nouba) 中的一切无不刺激着观众的想象力。 仅在佛罗里达州的迪士尼世界 (Walt Disney World® Resort) 上演。

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在 Walt Disney World® Resort - Downtown Disney, 奥兰多, FL 的常驻演出

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La Nouba - 创作人员

  • Guy Laliberté

    创办人

    Guy Laliberté 1959 年出生于加拿大魁北克市。他是一位手风琴师、高跷艺人和吞火魔术师,和同伴们组成了魁北克第一个国际知名的马戏团。大胆又爱幻想的 Guy Laliberté 慧眼识才,找到拜圣保罗狂欢节上极具才华的街头表演者,与他们一起在 1984 年创立了太阳剧团

    Guy Laliberté 是第一位将文化、艺术与杂技训练相结合的人,而这也成为太阳剧团最重要的特色。自 1984 年起,他带领他的创作团队创作了每场演出,将杂技表演提升到极高的艺术境界。

    太阳剧团以其表演阵容之强,活动范围之广,影响力之大,成为了一个国际大型马戏团。在 Guy Laliberté 带领下,太阳剧团的足迹遍布五大洲。

    2007 年 10 月,Guy Laliberté 成立了一滴水基金会,投身于人生的另一项伟大事业。该基金会的宗旨是让贫困地区民众获得安全饮用水。这个新的梦想源自于饮水权对个人乃至全球社区存亡重要性的认识以及太阳剧团自成立以来一直秉持的价值观:你给予生活什么,生活就回馈你什么。即使一个最微小的举动,也会产生差异。

    2009 年 9 月,Guy Laliberté 成为加拿大第一位私人太空探险家。他的使命是唤起公众对地球水资源短缺的关注。这场史无前例的宇宙演出活动的主题是“撼天动地为水源”(Moving Stars and Earth for Water),被誉为“富有诗意的社会使命”,旨在以艺术的形式赢得世人共鸣:这次网络直播特别节目持续了 120 分钟,各种艺术表演在五大洲 14 个城市(包括国际空间站)同时上演。

    重大荣誉及奖项
    2012 年,Guy Laliberté 入选美国博彩协会名人堂。2011 年,Guy Laliberté 入选加拿大企业名人堂。2010 年,Guy 在富有传奇色彩的好莱坞星光大道上留刻了属于自己的星形奖章。同年,魁北克政府再次授予 Guy 七星勋章,从“骑士”(6 年前授予)上升为“军官”级别。2008 年,Guy Laliberté 获拉瓦尔大学(魁北克)荣誉博士头衔。2007 年,Guy Laliberté 荣获安永年度企业家奖。这项大奖包含三个级别:魁北克、加拿大和国际。2004 年,Guy Laliberté 接受加拿大政府颁发的最高殊荣:加拿大勋章。 同年,他被时代周刊评选为全球 100 位最具影响力人物之一。2003 年,他被 Condé Nast 集团的绝不跟风计划选为创造者和革新者。2001 年,他被 Académie des Grands Montréalais 评为蒙特利尔荣誉市民。1997 年,Guy Laliberté 荣获魁北克政府颁发的最高荣誉魁北克勋章。克勋章。


    其他荣誉及奖项

    2009 年
    加拿大营销协会授予终身成就奖

    2002 年
    入选加拿大星光大道

    1998 年
    美国手工艺博物馆(现为纽约艺术和设计博物馆)授予远见奖

    1996 年
    在第 43 届 Gala du Commerce(魁北克)获新视野奖

    1988 年
    Gala Excellence 新闻(魁北克)年度风云人物

    1988 年
    《法国商务期刊》杂志(魁北克)年度企业家

     

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  • Franco Dragone

    Director

    A good many of Cirque du Soleil's creations bear the stamp of Franco Dragone's poetic and social vision. Between 1985 and 1998, Dragone directed no fewer than 10 productions: Cirque du Soleil (1985), La magie continue (1986), We Reinvent the Circus (1987), Nouvelle expérience (1990), Saltimbanco (1992), Mystère (1993) Alegría (1994), Quidam (1996), La Nouba and "O" (1998). He also directed the full-length feature Alegria, which came out in the spring of 1999.

    Franco Dragone had a major hand in creating the amalgam of cultures and artistic disciplines that characterizes these productions. Before embarking on a lengthy partnership with Cirque du Soleil in 1985, he worked with a number of theatre companies in Europe.

    A native of Italy, Dragone grew up in La Louvière, an industrial community in Belgium. In 2000, soon after moving back to his hometown, he founded Dragone, an artistic creation and production company.

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  • Gilles Ste-Croix

    创作内容高级副总裁

    Gilles Ste-Croix 最初向父母表示有意投身表演事业的时候,他们非常反对,还说道:“绝对不可以!”但在魁北克农村长大的 Gilles,决意要出外闯天下。他成为四海为家的嬉皮一族,在西岸生活了一段日子,期间还旁听了一些戏剧课程。

    Gilles 曾经试图改变,甚至在一家建筑公司工作了一段时期,然而他明白自己终究无法完全投身传统商业,并以此为终身事业。与此同时,他在追寻适合自己的行业方面,也绝非漫无目的。他指出早于少年时候,便一直渴求取得骄人成就,亦一直渴望能够娱乐大众。虽然他醉心娱乐事业,但其入行经过却出人意表。

    上世纪70年代末,Gilles 居住在魁北克省的维多利亚维尔(Victoriaville),依靠採摘苹果來维持生计。有一天,他突发奇想,想到要是能将双腿缚上长梯,便能轻易採摘苹果,这想法最终激发他设计出他的第一对高跷。

    其後一天,一位朋友偶然向 Gilles 提到美国佛蒙特州(Vermont)的面包傀儡剧团(Bread and Puppet Theater)爱以踩高跷作为其众多表演项目的特色所在。Gilles 於是亲自到该剧团观摩,更因此意识到他以踩高跷來採摘苹果的技巧,可能会在娱乐事业中大派用场。 1980 年,Gilles 联同一群街头表演者成立了“拜聖保罗高跷表演团”,其後举办了 “拜聖保罗狂欢节”,向观众呈献多姿多彩的街头表演。及至 1984 年,Gilles 携手 Guy Laliberté 创办了太阳剧团。

    在 1984 及 1985 年间,Gilles 为太阳剧团创作并表演了很多的高跷剧码。1988 年,他开始担任太阳剧团的藝术总监,并在世界各地发掘潜质优厚的人才。1990 至 2000 年间,他升任剧团的创作总监,负责剧团内的所有表演项目的创作,其中包括:

    《Nouvelle Expérience》、《艺界人生》(Saltimbanco)、《飞跃之旅》(Alegria)、《神秘境界》(Mystre)、《奇幻之旅》(Quidam)、《梦幻嘉年华》(La Nouba)、《“O”》及《超越极限》(Dralion)。1992年,他执导了太阳剧团在日本首个於大帳篷内演出的剧码《Fascination》。此外,1997年,德国马戏团餐厅“Pomp Duck and Circumstance”令人拍案叫绝的精彩晚宴表演,也是由Gilles执导,并开创先河。

    2000 年,Gilles 在继续担任太阳剧团顾问的期间,他决定要实现一个伟大梦想:由於他对马匹非常著迷,并因此自创公司,於 2003 年制作了名为《Cheval-Théâtre》的表演剧码,该剧码最大的特色是由30匹马以及众多杂技藝人在巨大帳篷内进行演出。《Cheval- Théâtre》还曾在北美洲十个城市巡回演出。

    2002 年 12 月起,Gilles 重返太阳剧团,担任新项目发展部的创作副总裁,并于 2006 年 7 月获任命为创作内容部的高级副总裁。

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  • Dominique Lemieux

    戏服设计师

    在 1989 至 1998 年间,Dominique 为太阳剧团设计了所有演出剧码的服饰,每个剧码的服饰都展示其与众不同的特色。这些剧码包括 1989 年的《We Reinvent the Circus》、1990 年的《Nouvelle Expérience》、1992 年的《欢跃之旅》(Saltimbanco)、1993 年的《神秘境界》(Mystère)、1994 年的《飞跃之旅》(Alegria)、1996 年的《奇幻之旅》(Quidam)、1998 年的《O》及《梦幻嘉年华》(La Nouba),以及 2005 年的《欢宴人生》(Corteo)。

    作为服饰设计师,Dominique 的工作不仅仅是为表演者缝制衣服。她的设计对於创作太阳剧团各个精彩剧码的不同角色,有著举足轻重的作用。

    Dominique 凭藉其专业眼光,通过将各种颜色、图案与布料的巧妙结合,缝制成令人歎为观止的戏服。在布料的选择上,她不单纯从美观出发,更同时顾及表演者的需要。对於 Dominique 來说,她非常注重所选布料会否令皮肤不适,会否容易磨损,是否耐火或防水。

    Dominique 对繪画藝术的热爱自幼已显露出來,这亦令她决定在康哥迪亚大学(Concordia University)修读藝术系。毕业後,她成为藝术设计师及儿童书籍插画师。其後,她报读了加拿大国家戏剧学院(NTS)的场景设计专业,选修繪画及服装设计课程,这更令其事业有了全新方向。

    1986至1988年,Dominique成为任教於加拿大国家戏剧学院的蒙特利尔顶级戏服设计师François Barbeau的助手。在此期间,她设计的作品在全市各大舞台上相继亮相,高超的技藝令魁北克省各地剧院的导演们争相要求与她合作。

    在《MACAU》剧码服饰的创作过程中,Dominique 试图在服饰上表现文化的多元性。她解释道:“我的创作灵感來自於世界各大城市的居民。一种崭新的文化在这些多民族融和的现代都市里形成,并自然而然地反映在时下年青人的衣著服饰上。《MACAU》剧码的服饰正是展现了各民族文化兼收并蓄的独特风貌。”

    Dominique Lemieux 於 1957 年在加拿大蒙特利尔出生。

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  • Michel Crête

    Set Designer

    From 1990 to 1998, the environments for all of Cirque du Soleil's productions sprang from Michel Crête's imagination: he was the one responsible for the scenography of Nouvelle Expérience, Fascination, Saltimbanco, Mystère, Alegría, Quidam, "O", and La Nouba. He also had a hand in designing the three theatres that house Cirque du Soleil shows in Las Vegas and Orlando. In 1998, Michel Crête received the Entertainment Design "Production of the Year" award for "O".

    Michel Crête came to Cirque du Soleil in 1986 as costume designer for the show We Reinvent the Circus. His creations for that show, which was also recorded for television, won him a Gémeaux and a Gemini (awards recognizing the work of television artisans in Canada) for best costumes for a variety show.

    After graduating from the Scenography Program at the National Theatre School of Canada in 1984, Michel Crête quickly became one of the most sought-after theatre set designers in Montreal. Between 1985 and 1991, he designed costumes and sets for nearly forty plays, working with renowned directors and rising stars on the Quebec theatre scene. Three times in a row, from 1989 to 1991, Montreal's Théâtre du Nouveau Monde awarded him its Prix Gascon-Roux for best set design.

    In 2001, he designed the big top and created the set for Cheval, a production of the Cheval-Théâtre company founded by Gilles Ste-Croix.

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  • Luc Lafortune

    Lighting Designer

    In directing the lighting for the show KÀ, Luc Lafortune is contributing to his twelfth creation with Cirque du Soleil. He has been associated with Cirque du Soleil since its beginnings in 1984. That year, he was hired as a lighting technician backstage. The following year, he was at the lighting control booth for the young troupe's eight-month tour. In 1986, he became the lighting designer. Since then, his lighting creations have toured the world.

    At Cirque du Soleil, his creator's resumé includes the shows We Reinvent the Circus, Fascination, Nouvelle Expérience, Saltimbanco, Mystère, Alegría, Quidam, "O", La Nouba, Dralion, Varekai and Zumanity. He was also co-director of photography for the video recording of the show Quidam.

    In 2002, he worked with director Robert Lepage to design the lighting for British singer Peter Gabriel's world tour, Growing Up. Many other internationally successful artists and groups have called upon his talents. Since 1996, he has worked with, among others, No Doubt, The Eagles, Gipsy Kings and Swiss circus Salto Natale.

    Luc Lafortune studied theatre production at Concordia University in Montreal . He was originally interested in set design. "One day, during rehearsal, I discovered the ability of light to redefine a space, to make a strong contribution to the image and spirit of a show," he says. The experience inspired a passion that still permeates his work today.

    The excellence of his work has garnered him many awards. In 1992, his lighting design for the show Saltimbanco earned him a Drama-Logue Theater Award, given by critics from the California-based theatre magazine of that name. In 1994, he was chosen as designer of the year by the magazine Lighting Dimensions International (LDI). In 1997, the Martin Professionals show The Atomic Lounge, for which Luc Lafortune was artistic director, won the LDI for best light show. In 1998, he took an Entertainment Design Award for his lighting design for the show "O".

    Luc Lafortune is regularly invited as a speaker to share his knowledge and thoughts with students and professionals all over the world.

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  • Benoit Jutras

    作曲家兼音乐总监

    作为作曲家兼音乐总监,Benoit Jutras 全身心地投入唤起观众和音乐爱好者等的意识的作品的创作。 在太阳剧团,他为 Quidam、“O”和La Nouba 创作了原声音乐作品。 此外,他还为 IMAX 电影 Cirque du Soleil Journey of Man(Sony Pictures Classics 与太阳剧团的合作作品)和电影长片 Alegria(制作人为 Franco Dragone,其还凭借该影片在魁北克获得 Jutra 大奖)创作了原声音乐作品。 独自为这五部作品创作音乐之前,Benoit 已经是太阳剧团的重要合作者。

    1987 年,他加入了骄阳喝采 (We Reinvent the Circus)  团队,并在那里担任了三年的音乐总监。 1990 年,他成为该演出的欧洲巡演的作曲家之一和音乐总监。 然后,他与 René Dupéré 合作为 神秘世界 (Mystère)魅力四射 (Fascination) 编曲。 此外,他还于 1995 年在哈利法克斯为七国集团峰会的太阳剧团特别演出编写了一些作品并担任音乐总监。

    1996 年,Benoit 在“蒙特卡洛国际马戏杂技节”被评为最佳马戏团作曲家。 此奖项肯定了他在瑞士的一个演出(太阳剧团与 Circus Knie 合作)中作为作曲家和音乐总监的出色工作。

    2000 年,他为基于 Saint Francis of Assisi 的生活和时间的意大利作品 Francesco il musical 创作了音乐。 该作品在阿西西演出以纪念新千年的到来。

    在电影方面,Benoit 为 The Far Side of the Moon (2003)(Robert Lepage 执导)和 Borderline (2007)(Lyne Charlebois 的电影)创作了原声音乐。 此外,他还因由 Rachel Talalay 执导、由 BBC 与 CBC 联合制作的 TV 电影 The Wind in the Willows (2006) 的美妙音乐而受到肯定。

    2005 年,Benoit 为在拉斯维加斯 Wynn Hotel 演出的 Le Rêve 编曲。 2008 年,他编写了三个作品以庆祝 Pope Benedict XVI 对纽约洋基体育场的访问。 同年,他被邀请为由 Six Flags 制作、在美国、新英格兰和墨西哥演出的 Glow in the Park Parades  编曲

    Benoit Jutras 拥有 Conservatoire de musique de Montréal 的作曲硕士学位,并从该学院获得了两项重要大奖。

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  • Debra Brown

    Choreographer

    Debra Brown is world renowned for her unique choreographies blending acrobatics and dance. She joined Cirque du Soleil in 1987 as a choreographer for We Reinvent the Circus and went on to choreograph the shows Nouvelle Expérience, Saltimbanco, Alegría, Mystère, Quidam, “O”, La Nouba, Corteo, one act in Zumanity, ZED, Zarkana, Michael Jackson THE IMMORTAL World Tour and Amaluna. She has also worked with artists and groups from a wide variety of disciplines including the 1990 Festival Mondial du Cirque de Demain (Paris), the John Corigliano’s opera The Ghosts of Versailles, presented at the Metropolitan Opera in New York and Wagner’s Ring Cycle, put on by the Lyric Opera of Chicago. In 1994, Debra created and produced Apogée, a 50-minute trampoline-based ballet which premiered in Toronto and was also presented in both Los Angeles and San Francisco at “Passport ’96,” an AIDS benefit hosted by Elizabeth Taylor and Magic Johnson. In 1995, she worked with Luciano Pavarotti on the Metropolitan Opera’s production of La Fille du Régiment (The Daughter of the Regiment) in New York. Debra also choreographed Aerosmith’s Jaded video and energetic performance for the American Music Awards in 2001, as well as Madonna’s Drowned world tour. Debra has worked with major musical acts such as Shakira, Wyclef Jean, Céline Dion and Madonna. Her film work includes Catwoman, Van Helsing and Barney’s Great Adventure. She received the Innovative Choreography Award in honour of her exceptional contribution to choreography and dance at the 14th Bob Fosse Awards in Los Angeles in 1997. In 2002, she received an Emmy Award for her choreography of an act created by Cirque du Soleil for the Academy Awards.

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  • Jonathan Deans

    Sound Designer

    Jonathan Deans is one of the most sought-after live entertainment sound designers in the world. As a young man, he joined the Royal Shakespeare Company as an actor but had also a keen interest in sound and so began to blend with a theatrical context. Several years later, after a spell as a sound engineer in the music industry, notably at Morgan Studios where he brushed shoulders with artists such as Cat Stevens, Paul Simon and Rick Wakeman, he made his way back to the theatre via the Royal Opera House, Covent Garden, and later went on to mix the sound for the musical A Chorus Line. One success soon followed another, and he became the sound mixing engineer for dozens of London’s West End productions. Jonathan’s success as a mixing sound engineer led to him being hired as sound designer on the musical Marilyn. This was followed by work on other productions as Designer on Time, Les Misérables, Mutiny, Jean Seberg to mention a few. Over a decade later he relocated in America where he has designed systems and productions for theme parks, stadiums, arenas and Broadway productions including Ragtime, Fosse, King David, Damn Yankees, Taboo, Brooklyn, Lestat, Pirate Queen, Young Frankenstein, La Cage Aux Folles, Spiderman, and Priscilla Queen of the Desert. With Michael Jackson ONE Jonathan is creating the sound system and the audio environment of his 14th Cirque du Soleil show since Saltimbanco in 1992.

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