Cirque du Soleil
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新聞發佈室

 

新聞稿

太陽劇團提供公司各類演出節目和相關資訊的新聞素材。

Cirque du Soleil

所有的一切,都是從加拿大魁北克市附近的小鎮 Baie-Saint-Paul 開始。在那裏,在 80 年代早期,有一隊充滿特色的樂隊在街頭流浪,踩高蹺,表演雜耍,跳舞,表演噴火和演奏音樂。他們是 Les Échassiers de Baie-Saint-Paul(Baie-Saint-Paul 街頭浪人),是一個由 Gilles Ste-Croix 建立的街頭表演團隊。這群年輕的表演者給小鎮的居民留下非常深刻的印象,包括後來成立太陽劇團並出任 CEO 的 Guy Laliberté。

 
 
 

傳記

Henry Fong

Illustrator

A specialist in concept design, production illustration, costume illustration and art direction, Henry Fong has worked in cinema, television and video game development. After studying illustration and photography, he took up classical animation and design, and went on to study classical painting. In film and television, Henry’s credits as concept artist, concept designer include projects such as The Amazing Spider-Man 2 (2013), Pacific Rim (2013), The Mortal Instruments: City of Bones (2013), and Immortals (2011). Concept artist and art director on Hong Kong feature film White Vengeance (2011), he was key costume illustrator for Warm Bodies (2013) and the TV miniseries The Phantom (2009). He also served as visual development artist and storyboard artist on the IMAX feature Journey to Mecca (2009). In 2008, he was character designer and costume illustrator for Death Race, and was concept designer for The Mummy: Tomb of the Dragon Emperor. In the video game world, Henry Fong’s name is associated with the adventure game Bot Colony and Artificial Mind and Movement’s Iron Man as well as a number of Ubisoft titles including Assassin’s Creed, Splinter Cell, Rainbow Six: Lockdown, Star Wars: Lethal Alliance and Far Cry Instincts. In the music realm, Henry was responsible for the art direction and package design of Billy Talent’s albums 666 (Warner Music) and Billy Talent II (Atlantic Records). He was also the illustrator for See Spot Run’s Gonna Getcha album in 2007. Henry Fong has picked up a number of awards including the 2004 Ben Wicks Award for best illustration, the 1998 Gwynyth Young Memorial Award for best layout design, the 1997 Nelvana Scholarship Award for best layout design, and the 1991 Barbara Camm Visual Arts Award for best illustration. Prior to his work on Michael Jackson ONE, Henry lent his talents to the Cirque du Soleil's Special Events Division.