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新聞發佈室

 

新聞稿

太陽劇團提供公司各類演出節目和相關資訊的新聞素材。

Cirque du Soleil

所有的一切,都是從加拿大魁北克市附近的小鎮 Baie-Saint-Paul 開始。在那裏,在 80 年代早期,有一隊充滿特色的樂隊在街頭流浪,踩高蹺,表演雜耍,跳舞,表演噴火和演奏音樂。他們是 Les Échassiers de Baie-Saint-Paul(Baie-Saint-Paul 街頭浪人),是一個由 Gilles Ste-Croix 建立的街頭表演團隊。這群年輕的表演者給小鎮的居民留下非常深刻的印象,包括後來成立太陽劇團並出任 CEO 的 Guy Laliberté。

 
 
 

傳記

Diane Paulus

Director

Diane Paulus is the Artistic Director of the A.R.T. (American Repertory Theatre). Her recent work with A.R.T. includes The Gershwins’ Porgy and Bess, a new production adapted by Pulitzer prize-winning playwright Suzan-Lori Parks, and OBIE-winning composer Diedre Murray, playing on Broadway; Prometheus Bound, a new musical inspired by Aeschylus's ancient Greek tragedy, written by Tony and Grammy Award-winner Steven Sater (Spring Awakening) with music composed by Grammy Award-winning System of a Down lead singer Serj Tankian; Death and The Powers: The Robots’ Opera, a new opera by Tod Machover in collaboration with MIT Media Lab, which world premiered at l’Opéra de Monte-Carlo; The Donkey Show, a disco adaptation of A Midsummer Night’s Dream, which ran for six years Off-Broadway and toured internationally; Best of Both Worlds, and Johnny Baseball. Diane’s other recent theatre credits include the Public Theatre's of HAIR (Tony-Award winning for best revival) on Broadway and London’s West End.  She has also directed Kiss Me, Kate (Glimmerglass Opera) and Lost Highway (ENO co-production with the Young Vic) and, as an opera director, The Magic Flute (Canadian Opera Company), Il mondo della luna at the Hayden Planetarium in New York, Don Giovanni, Le nozze di Figaro, Turn Of The Screw, Cosi fan tutte, and the Monteverdi trilogy Il ritorno d’Ulisse in patria, L’incoronazione di Poppea, and Orfeo at the Chicago Opera Theatre.  Diane is a Professor of the Practice of Theatre in Harvard University’s English Department and was recently named one of the 50 Most Powerful Women in Boston by Boston Magazine. She is a recipient of an Honorary Doctorate from Boston Conservatory. This is Diane Paulus’ first collaboration with Cirque du Soleil.