Cirque du Soleil
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新聞發佈室

 

新聞稿

太陽劇團提供公司各類演出節目和相關資訊的新聞素材。

Cirque du Soleil

所有的一切,都是從加拿大魁北克市附近的小鎮 Baie-Saint-Paul 開始。在那裏,在 80 年代早期,有一隊充滿特色的樂隊在街頭流浪,踩高蹺,表演雜耍,跳舞,表演噴火和演奏音樂。他們是 Les Échassiers de Baie-Saint-Paul(Baie-Saint-Paul 街頭浪人),是一個由 Gilles Ste-Croix 建立的街頭表演團隊。這群年輕的表演者給小鎮的居民留下非常深刻的印象,包括後來成立太陽劇團並出任 CEO 的 Guy Laliberté。

 
 
 

傳記

Armand Thomas

Creation Director

Armand Thomas has had an eclectic and nomadic life, emigrating from Egypt at the age of six to settle in Montreal. A natural storyteller, he never stopped traveling, picking up freelance work as a journalist, film technician, writer, photographer, actor and researcher along the way.

From 1978 to 2001, Armand juggled jobs in the movie industry with work as a reporter/editor.  He balanced his wage-earning jobs with stints of intense meandering, hitting the road to offbeat locations with his camera and notebook.

Armand joined Cirque du Soleil in 1996 as props master on the North American tour of Quidam before becoming the show’s General Stage Manager a year later. He followed that with stints on Alegría and for the creation of Varekai. In 2002 he became Production Stage Manager and Assistant to the Directors of Zumanity, staying on as the show’s first Artistic Director following the premiere.

In 2004, Armand was appointed General Stage Manager in the creation of KÀ, and ran the technically complex show during its first year. He left KÀ to become the Production Stage Manager and Assistant to the Director of The Beatles LOVE. His appointment as Creation Director of Viva ELVIS in 2007 marked the synthesis of his talents and his considerable experience.

"Vincent Paterson, the director of Viva ELVIS, and I have an artistic affinity," says Armand. “We work in symbiosis. When Vincent comes up with a creative idea, my role is to ensure we do everything we can as a team to make it happen.”

For Armand, Viva ELVIS pays tribute to Elvis’ unique style and influence on popular culture. “Everything about the show is enormous,” says Armand Thomas, “The size of the stage at CityCenter, the legacy of Elvis, the meaning of what we’re doing. Everything in Viva ELVIS – costumes, scenic elements, acrobatic numbers – is in the image of the King, often larger than life yet still intimate, and supports the narrative of the show."

Armand Thomas was born in Cairo in 1959 and grew up mainly in Montreal, with many points in between.