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Corteo

“Corteo” 在意大利语中意思是“随从”,它是充满愉悦的队列,由一个小丑想像的节日流行队伍。本剧用杂技的活力和丰姿集演员们的热情于一体,使观众 沉浸于天地之间的一种神秘空间的欢乐、喜剧和自发的戏剧世界。 小丑把自己的葬礼刻画在狂欢气氛下,由天使静静地守护着。大小并置,悲剧性的可笑与带有不完美魅力的完美魔力,本剧突出了小丑的强劲和脆弱,及其智慧和热 情,表达了我们每个人身上都有的人性。抒情与娱乐结合的音乐,使 “Corteo” 通篇具有用幻想嘲讽现实的永恒颂扬色彩。

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在 智利, 秘魯 舉行的巡迴表演

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Corteo - 創作人

  • Guy Laliberté

    創始人

    Guy Laliberté 於 1959 年誕生於魁北克市。身兼手風琴師、高蹺和吞火特技表演者身分的他,在一小群同好的支持下,創立了魁北克首支享譽國際的馬戲劇團。Guy Laliberté 憑藉著大膽的遠見,肯定並培養在 Fête foraine de Baie-Saint-Paul 中嶄露頭角之街頭藝人的才華,隨後於 1984 年創立了 Cirque du Soleili (太陽劇團)。

    Guy Laliberté 首創結合文化、藝術美學與特技訓練的演出手法,也成為太陽劇團的正字商標。早自 1984 年開始,他便引導著創意團隊打造出一齣齣劇碼,同時投注己力將馬戲藝術推向更高水準的藝術殿堂。

    太陽劇團如今在其組成規模、活動和影響力範圍上,已經晉身國際組織之林。Guy Laliberté 目前領導的已是個活躍於五大洲的組織。

    2007 年 10 月,Guy Laliberté 開始投身其第二項終生事業 ONE DROP 基金會,致力於透過永續的方式取得安全無虞的飲用水,藉此改善世界各地的貧窮問題。這個嶄新的夢想源自對取得水源的權利乃全球社群和個人生存之所繫的體認,也是從太陽劇團創始之初便確立的核心價值:堅信受人點滴當亟思回饋,微小之舉可成重大之事。

    2009 年 9 月,Guy Laliberté 成為加拿大首位私人太空遊客。他希望藉由此舉讓世人注意到人類在地球上面臨的飲水問題。第一次的太空「詩意社會使命」(Poetic Social Mission),以地空連線,關懷水資源 (Moving Stars and Earth for Water) 為主題,目的在於透過藝術的手法感動人心,在特別製播的 120 分鐘 Webcast 節目中,呈現了在五大洲 14 個城市以及國際太空站中展開的多項藝術表演。

    重大獎項與榮譽肯定
    2012 年,Guy Laliberté 晉身美國博彩協會(American Gaming Association) 的博彩名人堂 (Gaming Hall of Fame)。2011 年進入加拿大商業名人堂 (Canadian Business Hall of Fame) 之列。2010 年,Guy Laliberté 獲得在傳奇的好萊塢星光大道 (Hollywood Walk of Fame) 上留下專屬星型勳章的殊榮。同年,魁北克政府為表揚其貢獻,更將六年前授予的騎士 (Chevalier) 勳章拔擢成為軍官 (Officier) 勳章,使其成為 Ordre de la Pléiade 的受勳者之一。2008 年,魁北克 Laval 大學 (Université Laval) 授予 Guy Laliberté 榮譽博士學位。前一年,Guy Laliberté 獲得安永 (Ernst & Young) 年度企業家大獎肯定,其獲獎層級涵蓋三大層級:魁北克、加拿大和國際。2004 年,他獲得加拿大總理頒發的加拿大最高榮譽加拿大勳章 (Order of Canada), 同年更獲得時代雜誌 (Time Magazine) 票選為全球百大影響力人士。2003 年,他獲選為 Condé Nast 集團的領先者計畫 (Never Follow Program) 之一,該計畫宗旨在於表彰傑出創造者和創新人士。2001 年,榮獲大蒙特婁學院 (Académie des Grands Montréalais) 提名為傑出蒙特婁公民 (Great Montrealer)。1997 年,Guy Laliberté 接受魁北克政府頒發的最高榮譽魁北克勳章 (Ordre National du Québec)。


    其他獎項與榮譽肯定

    2009
    加拿大行銷協會 (Canadian Marketing Association) 終生成就獎

    2002
    進入加拿大星光大道

    1998
    美國工藝博物館 (American Craft Museum,現為紐約藝術與設計博物館 (Museum of Arts and Design)) 遠見成就獎 (Visionary Award)

    1996
    於第 43 屆商業大會 (魁北克) 中獲頒創新視野 (Vision nouvelle) 獎

    1988
    魁北克傑出媒體大會 (Gala Excellence La Presse) 年度風雲人物

    1988
    Les Affaires 雜誌 (魁北克) 年度企業家

     

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  • Daniele Finzi Pasca

    Creator and Director

    For Daniele Finzi Pasca, Corteo represents a kind of full circle, a bringing together of all the threads of his professional career. As a young man growing up in Switzerland he was a competitive gymnast. He went on to work in circus, and eventually established a reputation in theater as a writer and director.

    Daniele was born into a family of photographers. "Then my mother became a painter," he says. "I grew up surrounded by images and imagery. And I put them into motion."

    Perhaps the most formative event in his life was a trip he took to India, where he worked as a volunteer looking after terminally ill patients. On his return to Switzerland, he founded a company called Sunil's Clowns, which changed its name to Teatro Sunil in 1986. Teatro Sunil is still "home," but Daniele also travels the world, with his own productions and as a guest director with other theater and circus companies.

    A prolific writer, Daniele does not restrict his creative output to the stage. He has also published Come acqua allo specchio, a collection of short stories. (The show Passo Migratore is based on one of the stories from this collection).

    Daniele's lifelong fascination with clowns and clowning took root at the famed Circus Nock, where he performed in an acrobatic clown number. He has since developed a personal approach to the tradition which he has presented in courses and workshops for companies and organizations all over the world, including Canada's National Circus School and Cirque du Soleil. He also directed the highly-acclaimed Cirque Eloize shows Nomade - La Nuit le Ciel est Plus Grand and Rain - Comme une Pluie dans Tes Yeux.

    Corteo is inspired by the death and funeral of a clown, and draws on a clown figure from a past long before the existence of circus—a time when clowns were not the stereotypes we know now, but far more complex characters. Daniele says the show is "situated at a strange level between heaven and earth, where the gods and humans can interact through the medium of circus."

    The show's environment takes its inspiration from many architectural sources, especially Chartres cathedral and its labyrinth, which for Daniele Finzi Pasca symbolizes the journey of life. "The labyrinth is a great voyage: To find yourself you have to lose yourself," he explains.

    Daniele Finzi Pasca was born in Lugano, Switzerland in 1964.

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  • Line Tremblay

    Director of Creation

    Line Tremblay first fell in love with Cirque du Soleil in 1984, drawn by its freewheeling spirit, a spirit she says has never gone away. “For me, circus is the most complete art form. It addresses the audience on the visual, the emotional and the physical level all at the same time. I always knew I was destined for a life in this milieu.”

    Before joining Cirque du Soleil, Line developed a passion for working in the world of film and television, notably as an Assistant Director at Radio-Canada, where she worked closely with designers and creators. In 1992, she joined Franco Dragone, assisting him in the creation and direction of the Cirque du Soleil shows Mystère, Alegría, Quidam, “O” and La Nouba. Her talents were also put to work as Artistic Director of Quidam. Her rich association with Franco helped her to master the mechanics of stage direction and show creation.

    A newcomer to the equestrian field, Line worked with Gilles Ste-Croix assisting in the creation of the 2000 show Cheval Théâtre. She left Cirque du Soleil to work with Franco Dragone on the creation of the Celine Dion show A New Day, and returned to Cirque in 2003 to work on Corteo as the first woman in Cirque’s history to occupy the position of Director of Creation. In 2008, she took on the position of Director of Creation once again with ZED, working with director François Girard for the first time.

    “With Zarkana, we wanted to create a decidedly acrobatic show in which circus arts would take center stage,” says Line Tremblay. “The choice of disciplines, the staging, the set design, projections and choreography all contribute to a major transformation of one of the biggest performance spaces in the world."

    Line Tremblay was born in Hull, Quebec.

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  • Jean Rabasse

    場景設計

    Jean Rabasse has worked extensively in cinema, theatre and dance as a set designer and decorator. He has designed the sets for Philippe Decouflé's dance company DCA for more than a decade.

    Jean was nominated for an Academy Award and won the César for his sumptuous, elaborate designs for the 2001 film Vatel. His other film credits include Astérix et Obélix contre César, directed by Claude Zidi, The Dreamers, directed by Bernardo Bertolucci, The City of Lost Children, Delicatessen directed by Caro and Jeunet, Norman Jewison's The Statement and Christophe Barratier’s Faubourg 36, for which he received a César nomination.

    In 2009, he designed the sets for the opera L'Amour de loin, in a staging by Daniele Finzi Pasca, presented by the English National Opera in London.

    A versatile artist, Jean Rabasse reinvents the craft of forms. "I make no distinctions between the disciplines in which I work. In movies I always stress theatrical effects, to give the film soul. In the theatre, I use cinematic elements."

    IRIS is the third Cirque du Soleil show (following Corteo and The Beatles LOVE) for which Jean has designed the sets.

    "Instead of a classic representation of cinema referring to specific films, we wanted to capture the essence of cinema, its original emotion," says Jean Rabasse. “The proscenium of IRIS is a nod to the origins of cinema in Coney Island and the world of Jules Verne, and acts as the gateway to our imaginary world."

    Jean Rabasse was born in Tlemcen, Algeria.

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  • Dominique Lemieux

    戲服設計師

    1989 至 1998 年間,Dominique 為太陽劇團製作的所有項目設計服飾。每個劇目均展 現其與眾不同的特色,包括1 989 年的《We Reinvent the Circus》、1990 年的《Nouvelle Expérience》、1992 年的《歡躍之旅》(Saltimbanco)、1993 年的《神秘境界》(Mystère)、 1994 年的《飛躍之旅》(Alegria)、1996 年的《奇幻之旅》(Quidam)、1998年的《“O”》及 《夢幻嘉年華》(La Nouba),以及 2005 年的《歡宴人生》(Corteo)。

    作為戲服設計師,Dominique 的工作絕對不僅是為表演者縫製衣服。她的設計對於創造太 陽劇團各個精彩劇目的不同角色,有著舉足輕重的作用。

    Dominique 憑著其專業眼光,將各種顏色、圖案與布料巧妙結合,縫製成為別出心裁、令 人讚嘆的戲服。她對質料的選擇並非純粹基於美觀考慮,而是會顧及表演者的需要,因 而會注意布料會否令皮膚不適,會否容易磨損,是否耐火或防水。

    Dominique 對於繪畫的熱愛在小時候已顯露出來,亦令她決定在康哥迪亞大學(Concordia University)修讀藝術系。畢業後,她成為藝術設計師及兒童書籍插畫師。其後,她在加拿 大國家戲劇學院(NTS)報讀場景設計課程,選修繪畫及服裝設計更令其事業有了全新方 向。

    1986 至 1988 年,她成為蒙特利爾頂級戲服設計師 François Barbeau 的助手,同時任教於 加拿大國家戲劇學院。在此期間,她設計的作品在全市各大舞台上相繼亮相,令魁北克 省各地劇院的眾多導演爭相要求與她合作。

    為了創製澳門表演項目《MACAU》所需戲服,Dominique 試圖帶出多元文化的特質。她 解釋道:「我的創作靈感來自大世界中各個城市的居民 。在這個多民族融和的現代化都 市,出現了一種嶄新的文化,透過現今年青人的衣著造型具體反映。《MACAU》的戲服 正是展現各類民族文化兼收並蓄的獨特面貌。」

    Dominique 於 1957 年在蒙特利爾出生。

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  • Philippe Leduc

    Composer and Musical Director

    Composer, arranger and conductor Philippe Leduc describes himself as a workaholic, and that is borne out by the sheer volume of his work. His compositions and arrangements have literally been part of the background music of daily life in Quebec since the early 1980s.

    A graduate of the faculty of music at the Université de Montréal, Philippe composed the news theme for the television network Radio-Canada and the soundtrack music for innumerable other highly-rated TV shows, including the Cirque du Soleil production Solstrom.

    Philippe has been in demand as a composer of advertising jingles for a wide variety of national and international accounts. But as prolific as he has been for commercial clients, he has always made time for his own compositions.

    Philippe, who composed for the Cirque du Soleil television series Solstrom, describes his orchestral score for Corteo as "very visceral music," but he is quick to add that there are many ethereal passages and passionate moments, too.

    "I started with the physical," he says. "There is a relationship between the movements of the performers and the music. In a very broad sense the music is operatic. I'm trying to stretch the musical spectrum at Cirque."

    Philippe sees Corteo as a show full of contrasts and musical moods, from solo guitar to an imposing orchestral presence. "It's very beautiful at the end," he says, "but along the way it's funny too. There are surprises and laughter around every corner. There are medieval influences with ancient instruments and traces of the 1930s but it's all very current music."

    In a first for Cirque du Soleil, the music will depend on a great deal of Improvisation. There are several "duels" between a virtuoso violinist and an expert accordionist which will be completely different for every performance.

    Philippe Leduc was born in Montreal.

    詳細資料隱藏
  • Maria Bonzanigo

    Composer and Musical Director

    Maria Bonzanigo has worked closely with Corteo director Daniele Finzi Pasca since joining his company Teatro Sunil in 1984 (before it was even known by that name). Her music has been integral to many of the Sunil's best-known shows, including Te Amo and Tres Tristes Tangos.

    Maria has also appeared in Sunil productions as an actress and dancer, and has worked as a director and choreographer too, for her own music and for other composers' works.

    Maria Bonzanigo studied composition with Paul Glass and dance with Rosalia Chladek and went on to develop a highly personal approach of her own to creating music for the stage. In addition to her work for theater, she also composed for the highly-acclaimed Cirque Eloize circus shows Rain and Nomade (which were directed by Daniele Finzi Pasca).

    "Working with Daniele Finzi Pasca for more than 20 years, we created a language together," says Maria. "A way to communicate intimately with the audience and the music is an integral part of that language."

    For Corteo Maria Bonzanigo is sharing the duties of composer with Philippe Leduc. She is concentrating on the portion of the music that is performed by the artists in the show, while Philippe has been developing the orchestral soundtrack compositions.

    "We're taking artists and acrobats and putting them in a show that is more theater than circus," explains Maria. "The music reflects that theatrical aspect of the show. The style is a kind of modern/medieval, with African, Asian and Latin American rhythms. It's new and simple at the same time."

    Maria Bonzanigo was born in 1966 in Lausanne.

    詳細資料隱藏
  • Hugo Gargiulo

    Acting Coach - Teatro Sunil

    Acting Coaches Hugo Gargiulo and Antonio Vergamini come to Corteo from Teatro Sunil, the theater and dance company founded by the show's Director, Daniele Finzi Pasca in Switzerland in 1983.

    Motivated by a deep commitment to humanitarian principles, Daniele has placed the tragicomic figure of the clown at the core of Teatro Sunil's productions such as Rituale, Icaro, Aittestás, Visitatio, Te Amo and Tres Tristes Tangos to express a broad range of human experiences and emotions. He has called Sunil's emphasis on sensitivity and the sense of touch "the theatre of caress."

    Hugo Gargiulo and Antonio Vergamini have been key members of the Sunil creative team as actors and directors for many years and have been working closely with all the artists of Corteo (including the musicians) to develop their acting skills and introduce them to the world of the clown.

    "Our challenge was to bring out the fragile side of the acrobats," says Hugo, "and they are more used to putting the spotlight on their strength."

    Working with a large cast has given the two coaches the opportunity to finally realize artistic dreams they have held for a long time. However, many of the artists they are working with have never acted before. "Their lack of experience is a challenge," admits Antonio. "But it also means they are more generous and ready to be open. Above all, our challenge was to bring out the fragile side of the acrobats. We would like each artist to contribute something unique."

    Asked to describe the show, Hugo says there will be many dream-like images and a great deal of humanity on stage. "The artists will not be hidden by their makeup or their costumes, they will be presenting themselves to the audience," he adds. "We wanted the audience to see in their faces the children they once were and the old people they will become."

    Hugo Gargiulo was born in Uruguay in 1965.

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  • Dolores Heredia

    Dramaturgical Analyst - Teatro Sunil

    Acting Coaches Hugo Gariulo and Antonio Vergamini come to Corteo from Teatro Sunil, the theater and dance company founded by the show's Director, Daniele Finzi Pasca in Switzerland in 1983.

    Motivated by a deep commitment to humanitarian principles, Daniele has placed the tragicomic figure of the clown at the core of Teatro Sunil's productions such as Rituale, Icaro, Aittestás, Visitatio, Te Amo and Tres Tristes Tangos to express a broad range of human experiences and emotions. He has called Sunil's emphasis on sensitivity and the sense of touch "the theatre of caress."

    Hugo Gariulo and Antonio Vergamini have been key members of the Sunil creative team as actors and directors for many years and have been working closely with all the artists of Corteo (including the musicians) to develop their acting skills and introduce them to the world of the clown.

    "Our challenge was to bring out the fragile side of the acrobats," says Hugo, "and they are more used to putting the spotlight on their strength."

    Working with a large cast has given the two coaches the opportunity to finally realize artistic dreams they have held for a long time. However, many of the artists they are working with have never acted before. "Their lack of experience is a challenge," admits Antonio. "But it also means they are more generous and ready to be open. Above all, our challenge was to bring out the fragile side of the acrobats. We would like each artist to contribute something unique."

    Asked to describe the show, Hugo says there will be many dream-like images and a great deal of humanity on stage. "The artists will not be hidden by their makeup or their costumes, they will be presenting themselves to the audience," he adds. "We wanted the audience to see in their faces the children they once were and the old people they will become."

    Dolores Heredia was born in Mexico in 1966.p>
    詳細資料隱藏
  • Antonio Vergamini

    Acting Coach - Teatro Sunil

    Acting Coaches Hugo Gariulo and Antonio Vergamini come to Corteo from Teatro Sunil, the theater and dance company founded by the show's Director, Daniele Finzi Pasca in Switzerland in 1983.

    Motivated by a deep commitment to humanitarian principles, Daniele has placed the tragicomic figure of the clown at the core of Teatro Sunil's productions such as Rituale, Icaro, Aittestás, Visitatio, Te Amo and Tres Tristes Tangos to express a broad range of human experiences and emotions. He has called Sunil's emphasis on sensitivity and the sense of touch "the theatre of caress."

    Hugo Gariulo and Antonio Vergamini have been key members of the Sunil creative team as actors and directors for many years and have been working closely with all the artists of Corteo (including the musicians) to develop their acting skills and introduce them to the world of the clown.

    "Our challenge was to bring out the fragile side of the acrobats," says Hugo, "and they are more used to putting the spotlight on their strength."

    Working with a large cast has given the two coaches the opportunity to finally realize artistic dreams they have held for a long time. However, many of the artists they are working with have never acted before. "Their lack of experience is a challenge," admits Antonio. "But it also means they are more generous and ready to be open. Above all, our challenge was to bring out the fragile side of the acrobats. We would like each artist to contribute something unique."

    Asked to describe the show, Hugo says there will be many dream-like images and a great deal of humanity on stage. "The artists will not be hidden by their makeup or their costumes, they will be presenting themselves to the audience," he adds. "We wanted the audience to see in their faces the children they once were and the old people they will become."

    Antonio Vergamini was born in Italy in 1967.

    詳細資料隱藏
  • Martin Labrecque

    Lighting Designer

    Martin Labrecque’s professional credits include more than 140 theatrical productions, as well as circus shows. Martin contributed to the critical success of several Quebec shows. He has won many Quebec awards for his lighting design in addition to several nominations. Martin Labrecque created the lighting for two critically acclaimed circus shows produced by Cirque Éloize, Rain and Nomade, as well as Cirque du Soleil shows Corteo, KOOZA, Viva ELVIS and Michael Jackson THE IMMORTAL World Tour before KURIOS – Cabinet of curiosities. In 2009, Martin designed the lighting for an eleven-hour show by Canadian author, director and actor Wajdi Mouawad, which was presented in the courtyard of the Palais des Papes in Avignon, France. He also worked on the show Paradis Perdu, directed by Dominic Champagne and presented in Montreal and Belles Soeurs (2011) directed by René Richard Cyr.

    詳細資料隱藏
  • Jonathan Deans

    音效設計

    Jonathan Deans 是世上最受歡迎的現場娛樂音效設計師之一。年輕時,他加入皇家莎士比亞劇團 (Royal Shakespeare Company) 擔任演員,但他對音效也有相當大的興趣,因此漸漸深入探索劇場。數年後,在音樂產業擔任音效工程師,在 Morgan Studios 與藝人 Cat Stevens、Paul Simon 與 Rick Wakeman 合作一段時間後,他又循著倫敦柯芬園的皇家歌劇院 (Royal Opera House) 回到劇場,之後為音樂劇「A Chorus Line」混製音效。接二連三的成功來敲門,而他也成為許多倫敦西區劇場演出的混音工程師。Jonathan 擔任混音工程師的傑出表現,為他爭取到在音樂劇「Marilyn」擔任混音師的工作。之後,他更在多齣劇場作品中擔任音效設計的工作,如「Time」、「Les Misérables」、「Mutiny」、「Jean Seberg」等,族繁不及備載。十多年後,他轉往美國發展,為主題樂園、體育場和巨蛋設計系統與演出,也參與百老匯作品,如「Ragtime」、「Fosse」、「King David」、「Damn Yankees」、「Taboo」、「Brooklyn」、「Lestat」、「Pirate Queen」、「Young Frankenstein」、「La Cage Aux Folles」、「Spiderman」、與「Priscilla Queen of the Desert」。「Michael Jackson ONE」是 Jonathan 自 1992 年「Saltimbanco」以來,第 14 度為太陽劇團設計音效系統與音訊環境。

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  • Danny Zen

    Acrobatic Equipment and Rigging Designer

    Danny Zen first arrived at Cirque du Soleil in 1990 to work as a welder in the company's workshops. That same year he went on the first European tour of Le Cirque Réinventé, then moved on to Nouvelle Expérience on which he worked as a welder, assembler, mechanic and head usher. In 1992 he toured with Saltimbanco as a tent technician.

    Since 1993 Danny has worked in the continuing development of the Creative Studio at Cirque du Soleil. His innovations as head rigger and technical expert are largely responsible for establishing Cirque's demanding standards in training all its riggers, and maintaining the safety of the performers and technicians at all times.

    Danny has worked at the National Circus School in Montreal and has, over the years, contributed to the design of most of the aerial acrobatic equipment used in the Cirque du Soleil shows Alegría, Mystère, Quidam, Dralion, Varekai, "O", La Nouba and. He was also Head Rigger for Quidam in 1996. In 2008, he designed the rigging and equipment for the acrobatics show at the Quebec City 400th anniversary celebrations.

    Zarkana is Danny Zen’s third engagement as Acrobatic Equipment and Rigging Designer for a Cirque du Soleil show, following Corteo and KOOZA.

    “The acrobatic equipment on Zarkana was designed to blend in with the 1930s-inspired décor of the show,” he says. “The action of the show is set in the same period. I'm fascinated by the curves and organic shapes of that era and I've been inspired by the French Art Nouveau master glassmaker and jeweler Lalique and the Spanish architect and engineer Calatrava."

    Danny Zen was born in Saint-Luc, Québec.

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  • Nathalie Gagné

    化妝設計師

    化妝設計師 Nathalie Gagné 從小已對化妝著迷,她深信化妝對演員的影嚮。Nathalie 於 加拿大魁北克省的 Cégep de Saint-Hyacinthe 攻讀戲劇製作,其後更成為著名巴黎化妝學 校 École Christian Chauveau 蒙特利爾分校的首屆畢業生。

    Nathalie 在加入太陽劇團之前,曾於不同劇團、電影及電視機構工作。她曾兩度獲 得 Gémeau 獎項(所有類別)的最佳化妝提名。這項榮譽是由加拿大電影及電視學院 (Academy of Canadian Cinema and Television)所頒授。

    Nathalie 說:「化妝是靈魂的反映,它猶如魔杖一樣,能揮走一切被掩蓋的東西。」由 1995 起,Nathalie 為太陽劇團設計超過200多款不同類型的化妝,而最終設計都是由 2,000 多個草圖中揀選出來。

    由於太陽劇團的表演者均需要自行化妝,Nathalie會邀請他們一同參與台上的化妝創 作。Nathalie 說:「由於雜技表演者有別於一般演員,他們不習慣進一步了解自己的臉 孔,我的其中一個目標就是教曉他們了解臉孔,幫助雜技表演者尋找他們臉上的『引力 紋理』(lines of force)以建立他們的個人特質。」

    Nathalie 同時亦負責確保所有化妝都富有她的特色與及完整性。由於表演者都需要自行 化妝,因此化妝技巧工作坊成為太陽劇團為表演者提供的基本訓練的一環。Nathalie會 先教會表演者如何自行化妝,然後為他們寫下各個步驟。

    Nathalie 於《神秘境界》(Mystère)、《飛躍之旅》(Alegría)及《藝界人生》(Saltimbanco)運用了全新的化妝概念,更促使了她與導演 Franco Dragone 及服裝設計師 Dominique Lemieux 的合作。繼 Nathalie 曾參與的《奇幻之旅》(Quidam)、《“O”》、《夢幻嘉年華》(La Nouba)、《Varekai》、《人類動物園》(ZUMANITY)、《KÀ》、《歡宴人生》(Corteo)、《虛擬幻境》(DELIRIUM)和《LOVE》,《ZAIA》將成為她與太陽劇團的第十個製作。

    Nathalie 說:「我透過多姿多彩的化妝設計刻畫了《ZAIA 》不同角色的人性特徵。同時,我亦希望塑造出相似的相貌以突顯不同族群。由於部份表演者擔領多個角色及需要迅速變換扮相,為他們變換妝容實在是一個挑戰。因此,我運用了許多自然色調的面譜 讓表演者更容易為不同的表演改變妝容。」

    Nathalie 於 1963 年生於魁北克省的 Trois-Pistoles。

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