Cirque du Soleil
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Corteo

“Corteo” 在意大利语中意思是“随从”,它是充满愉悦的队列,由一个小丑想像的节日流行队伍。本剧用杂技的活力和丰姿集演员们的热情于一体,使观众 沉浸于天地之间的一种神秘空间的欢乐、喜剧和自发的戏剧世界。 小丑把自己的葬礼刻画在狂欢气氛下,由天使静静地守护着。大小并置,悲剧性的可笑与带有不完美魅力的完美魔力,本剧突出了小丑的强劲和脆弱,及其智慧和热 情,表达了我们每个人身上都有的人性。抒情与娱乐结合的音乐,使 “Corteo” 通篇具有用幻想嘲讽现实的永恒颂扬色彩。

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在 秘魯, 哥斯大黎加 舉行的巡迴表演

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Corteo - Set Design

The set and decor of Corteo plunge the audience into a lyrical world, a strange area between heaven and earth.

The Stage

Set Designer Jean Rabasse has divided the Grand Chapiteau and its rotating stage in two, with each half of the audience facing the other half, so they see not only the performance, but also have a performer’s eye view of the audience. This is a first for Cirque du Soleil.

  • There are two turntables built into the stage, which is about 31.6 m long, and the track is almost 12.5 m long.
  • More than 9,000 images were used in the research and development phase of the set design to blend many visual styles and influences, from the baroque to the modern.

The Patience

The Patience is a massive arched technical structure made of steel which dominates the interior of the Grand Chapiteau. It is one of the most complex set elements in the show and is used to transport various scenic elements and pieces of acrobatic equipment on and off stage from above.

  • The Patience has two rails that traverse the Grand Chapiteau.
  • Each rail is fitted with four platform-like carts to carry the scenic and acrobatic elements.
  • The eight carts have a lifting capacity of 450 kg and a top speed of 1.2 m per second.
  • The Patience is 12.5 m above the stage at its highest point. It is entirely self-supporting and could be set up anywhere.

The Curtains

It was a visit to the exhibition “The Great Parade: Portrait of the Artist as a Clown” at the National Gallery of Canada that inspired Jean Rabasse to paint the Corteo Procession on the curtains. His design was influenced by the work of such painters as Willette, Picasso, Tiepolo, Pelez and Knight.

  • The inspiration for the show’s curtains was an 1885 painting by Parisian artist Adolphe Willette.
  • The two enormous baroque-style “Roll Drop” curtains (17.6 m wide and almost 12 m high), and the four sideways- opening Italian-style curtains are among the most striking scenic elements in the show. They were sewn in Canada and sent to France to be painted.
  • It took more than two weeks to paint each of the central curtains with watercolours.
  • The central curtains are attached to huge supports which contain winding motors to roll them.

The Labyrinth

In the centre of the circular stage is a labyrinth which precisely reproduces the proportions and size of the classic design on the aisle floor in Chartres Cathedral.

  • The labyrinth incorporates a 20 cm Moebius strip painted at its centre as a symbol of infinity and continuity.