TOTEM 追踪人类进化的奇妙过程：从原始两栖动物状态到最终渴望飞翔的期望。人物在舞台上表演进化，使人想起许多远古文明起源的象征 - 巨型海龟。
科学与传奇性 TOTEM 之间在某些地方可以将人类与其他物种、其梦想和其无穷无尽的潜力相连结。
澳大利亚, 新加坡 的巡演
A giant turtle at centre stage represents the origins of life on earth. As the Crystal Man descends from the sky to spark life on Earth, the creature’s shell is whisked away to reveal an effervescent community of amphibians and fish that lives beneath its carapace. They burst into a playful parallel bars number, with artists embodying frogs launching themselves into the air from a power track and leaping from one bar to the next, criss-crossing in mid-air with inches to spare.
An Amerindian artist performs a narrative dance, using hoops to create static
and dynamic shapes to evoke various animals and images in a ritual that
symbolizes the endless circle of life.
Bollywood-inspired music accompanies two men as they compete against each other on the rings – until a woman arrives and shows them how it’s done. Their graceful movements, sheer physical strength and superb physiques take to the skies above a summer beach. This modern day acrobatic take on the mating game describes our innate desire to attract and impress, an age-old dance that ensures the forward motion of our species.
Two Crystal Ladies emerge from the fiery bowels of the earth to evoke the
creation of the world and the beauty of minerals. Wearing sparkling costumes
that mirror the Crystal Man, the artists spin squares of glittering material on their
hands and feet before coming together to create a dazzling display of
coordinated high-speed motion.
With astounding strength, the agile performer contorts his body in different positions while balancing on his hands atop a platform shaped as an hourglass. The act explores a man’s struggle outside of his contacts with other human beings. The strength that he gets from this journey refers to all challenges one must face in order to grow.
The abundance of fall is represented by the harvest colours and details of the
costumes as five unicyclists juggle metal bowls in an astounding display of agility,
balance, synchronized control and physical grace, tossing the bowls with their
feet – sometimes over their shoulders – and catching them on their heads
without using their hands.
Like two lovebirds, a young man and woman tease, play and sulk in an innocent
game of seduction and eventually intertwine their bodies in a lighthearted
vertical dance of fresh, unusual movements and lifts.
The Scientist represents reason and the quest to understand the universe in ways
that can be quantified, measured and put into boxes. His “laboratory” features
an orchestra of glass containers filled with mysterious fluorescent fluids as he
steps into a transparent cone and juggles with luminous balls that might
represent planets or molecules – or both – making them chase after each other
in spiral orbits.
Surrounded by members of numerous tribes, two Amerindian dancers now take the stage to create new figures with their hoops, finishing with two globes representing unity and eternity.
In a scene that evokes a wedding ceremony, a pair of roller skaters spin and
whirl at heart-stopping speeds atop a tiny platform – just 1.8 meters in diameter –
shaped like a drum.
Wearing colourful costumes inspired in part by the lost civilizations of South
America, ten artists perform feats of strength, balance and acrobatic
movements. The jumpers are launched into the air and fly weightlessly across the
sky like cosmonauts, leaping from one bar to the next with astonishing agility in a
thrilling evocation of the human desire to escape the earth’s gravity.
In this intimate performance, two artists play upon the understanding of the yin and yang, of balance – bringing opposites together, and into perfect harmony. In their quest for equilibrium, man and woman enter into a relationship where strength and symmetry flourish.